Article ID: CBB909105462

Emil Fischer and the “art of chemical experimentation” (2017)

unapi

What did nineteenth-century chemists know? This essay uses Emil Fischer’s classic study of the sugars in 1880s and 90s Germany to argue that chemists’ knowledge was not primarily vested in the theories of valence, structure, and stereochemistry that have been the subject of so much historical and philosophical analysis of chemistry in this period. Nor can chemistry be reduced to a merely manipulative exercise requiring little or no intellectual input. Examining what chemists themselves termed the “art of chemical experimentation” reveals chemical practice as inseparable from its cognitive component, and it explains how chemists integrated theory with experiment through reason.

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Authors & Contributors
Rocke, Alan J.
Gordin, Michael D.
Moreland, David W.
Ulrich Päßler
Mertens, Rebecca
Tansjö, Levi
Journals
Isis: International Review Devoted to the History of Science and Its Cultural Influences
Bulletin for the History of Chemistry
Revue d'Histoire de la Pharmacie
Osiris: A Research Journal Devoted to the History of Science and Its Cultural Influences
Mitteilungen der Gesellschaft Deutscher Chemiker, Fachgruppe Geschichte der Chemie
Metascience: An International Review Journal for the History, Philosophy and Social Studies of Science
Publishers
Wilhelm-Ostwald-Gessellschaft
University of Chicago Press
Universität Tartu
Plaidswede Publishing
Kluwer Academic
de Gruyter
Concepts
Chemistry
Biographies
Organic chemistry
World War I
Science education and teaching
Imagination
People
Fischer, Emil Hermann
Kopp, Hermann Franz Moritz
Ostwald, Friedrich Wilhelm
Liebig, Justus von
Kekulé von Stradonitz, Friedrich August
Hofmann, August Wilhelm von
Time Periods
19th century
20th century, early
20th century
Places
Germany
United States
Russia
France
Japan
Great Britain
Institutions
Heidelberg Universität
Deutsches Museum
Interessengemeinschaft Farbenindustrie Aktiengesellschaft
Universität Dorpat
Cambridge University
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