Ullmann, Dieter (Author)
Review Wiederkehr, K.H. (1998) Review of "Chladni und die Entwicklung der Akustik von 1750-1860". Berichte zur Wissenschaftsgeschichte (pp. 278-80).
Review Gessinger, J. (1998) Review of "Chladni und die Entwicklung der Akustik von 1750-1860". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 730-31).
Review Eckert, M. (1997) Review of "Chladni und die Entwicklung der Akustik von 1750-1860". Archives Internationales d'Histoire des Sciences (pp. 99-100).
Review Pourprix, B. (1998) Review of "Chladni und die Entwicklung der Akustik von 1750-1860". Revue d'Histoire des Sciences (p. 393).
Article
Martinelli, Riccardo;
(1998)
Il canto della natura: Herder, Goethe, Chladni e la “monadologia musicale” nel primo Romanticismo
(/isis/citation/CBB000076056/)
Article
Ullmann, Dieter;
(1984)
Chladni und die Entwicklung der experimentellen Akustik um 1800
(/isis/citation/CBB000016751/)
Article
Dressler, Hilmar;
(1996/97)
Chladnis Klang- und Seebecks Farbfiguren in Goethes Vergleich und einige Widerspiegelungsaspekte der Farbe-Ton-Analogien in der Ästhetik der Goethe Zeit
(/isis/citation/CBB000082324/)
Article
Ullmann, Dieter;
(2006)
Chladnis Beiträge zur Raumakustik: Zum 250. Geburtstag des Gelehrten
(/isis/citation/CBB000670833/)
Article
Bell, James F.;
(1991)
The late-20th century resolution of a mid-19th century dilemma generated by the 18th-century experiments of Ernst Chladni on the dynamics of rods
(/isis/citation/CBB000057125/)
Article
Hoppe, Günter;
(1978)
Goethes Ansichten über Meteorite und sein Verhältnis zu dem Physiker Chladni
(/isis/citation/CBB000004122/)
Thesis
Pfannkuchen, Antje;
(2010)
When Nature Begins to Write Herself---German Romantics Read the Electrophore
(/isis/citation/CBB001567229/)
Book
Pantalony, David;
(2009)
Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris
(/isis/citation/CBB001023263/)
Article
Whitaker, Robert J.;
(1991)
A note on the Blackburn pendulum
(/isis/citation/CBB000045103/)
Article
Melle Jan Kromhout;
(2020)
The Unmusical Ear: Georg Simon Ohm and the Mathematical Analysis of Sound
(/isis/citation/CBB282467130/)
Chapter
Schroeder, Manfred R.;
(2005)
Gauß, die Konzertsaalakustik und der Asteroid Pallas: Zwei Miszellen
(/isis/citation/CBB001232270/)
Article
Brenni, Paolo;
(1995)
Nineteenth-century French scientific instrument makers, VI. The triumph of experimental acoustics: Albert Marloye (1795-1874) and Rudolph Koenig (1832-1901)
(/isis/citation/CBB000042921/)
Article
Wright, M. C. M.;
(2006)
A Short History of Bad Acoustics
(/isis/citation/CBB001320912/)
Book
Rieger, Matthias;
(2006)
Helmholtz Musicus: Die Objektivierung der Musik im 19. Jahrhundert durchHelmholtz' Lehre von den Tonempfindungen
(/isis/citation/CBB000830701/)
Article
Ullmann, Dieter;
(1986)
Helmholtz-Koenig-Waetzmann und die Natur der Kombinationstöne
(/isis/citation/CBB000063105/)
Chapter
Fowler, David;
(2003)
Helmholtz: Combinational Tones and Consonance
(/isis/citation/CBB000410007/)
Book
Roland Wittje;
(2016)
The Age of Electroacoustics: Transforming Science and Sound
(/isis/citation/CBB301627147/)
Chapter
Myles W. Jackson;
(2017)
Charles Wheatstone: Musical Instrument Making, Natural Philosophy, and Acoustics in Early-Nineteenth-Century London
(/isis/citation/CBB370684235/)
Article
Hiebert, Elfrieda;
(2013)
Listening to the Piano Pedal: Acoustics and Pedagogy in Late Nineteenth-Century Contexts
(/isis/citation/CBB001320391/)
Book
Maley, V. Carlton, Jr.;
(1990)
The theory of beats and combination tones, 1700-1863
(/isis/citation/CBB000030944/)
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