Article ID: CBB982895136

Widening Gyre: A Poetics of Ocean Plastics (2019)

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By focusing on contemporary experimental poetry that engages with ocean plastics, this essay explores the capacity of ecopoetics to make distinctive interventions in the environmental humanities, and in particular the blue humanities. It examines work by Stephen Collis, Adam Dickinson, and Evelyn Reilly to show how poetry's forms of juxtaposition, linkage, linguistic porosity, indeterminacy, and nonnarrative temporalities suggest fertile modes of cultural engagement with the more-than-human oceans. This poetry cultivates amplified modes of attention to more-than-human scales of space, time, agency, and modes of relation, and it performs highly material ways of understanding historical, economic, and aesthetic forces affecting the oceans.

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Article Stacy Alaimo (2019) Introduction: Science Studies and the Blue Humanities. Configurations: A Journal of Literature, Science, and Technology (pp. 429-432). unapi

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Authors & Contributors
Clark, J. F. M.
Deans, Bob
Djati, Arief W.
Dooren, Thom Van
Egan, Michael
Hamblin, Jacob Darwin
Journals
Configurations: A Journal of Literature, Science, and Technology
Diplomatic History
Guangxi Minzu Xueyuan Xuebao
Journal of Literature and Science
Nineteenth-Century Contexts
Notes and Records: The Royal Society Journal of the History of Science
Publishers
Columbia University
Duke University Press
Experiment
MIT Press
University of Minnesota Press
Yale University Press
Concepts
Environmental pollution
Environmental humanities
Science and literature
Water pollution
Oceans and seas
Poetry and poetics
People
Doolittle, Hilda
Oppermann, Serpil
Rose, Deborah Bird
Bishop, Elizabeth
Reilly, Evelyn
Saraceno, Tomás
Time Periods
21st century
20th century, late
19th century
20th century
20th century, early
18th century
Places
Great Britain
Java (Indonesia)
China
Russia
United States
Australia; New Zealand
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