Diego Salvadori (Author)
Nell'opera dello scrittore Luigi Meneghello (1922-2007), le rappresentazioni letterarie del mondo minerale assumono un ruolo scardinante e decostruttivo, nel senso che autorizzano letture inedite e trasversali volte a dischiudere l’immaginario materiale e scientifico con cui lo scrittore – è proprio il caso di dirlo – ha letteralmente ‘stratificato’ la sua opera creativa: dalla litogenesi della scrittura, alle semantiche del cristallo; dalle rêveries pietrificanti, al magma effusivo della lingua. Il líthos è ‘sonda’, scandaglio ermeneutico, attraverso cui indagare i sistemi culturali, i sedimenti della memoria collettiva, nonché il ruolo stesso della pratica letteraria, ponendosi come chiave d’accesso privilegiata per la comprensione della poetica autoriale. [Abstract translated by Google Translate: This is the abstract in English… In the work of the writer Luigi Meneghello (1922-2007), the literary representations of the mineral world take on an unhinging and deconstructive role, in the sense that they authorize new and transversal readings aimed at disclosing the material and scientific imagination with which the writer - is it must be said – he literally 'layered' his creative work: from the lithogenesis of writing, to the semantics of crystal; from petrifying reveries, to the effusive magma of the language. The líthos is a 'probe', a hermeneutical sounding, through which to investigate cultural systems, the sediments of collective memory, as well as the role of literary practice itself, acting as a privileged access key for understanding authorial poetics.]
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