During the eighteenth century, some of the most popular British poetry showed a responsiveness to animals that anticipated the later language of animal rights. Such poems were widely cited in later years by legislators advocating animal welfare laws like Martin’s Act of 1822, which provided protections for livestock. In The Animal Claim, Tobias Menely links this poetics of sensibility with Enlightenment political philosophy, the rise of the humanitarian public, and the fate of sentimentality, as well as longstanding theoretical questions about voice as a medium of communication. In the Restoration and eighteenth century, philosophers emphasized the role of sympathy in collective life and began regarding the passionate expression humans share with animals, rather than the spoken or written word, as the elemental medium of community. Menely shows how poetry came to represent this creaturely voice and, by virtue of this advocacy, facilitated the development of a viable discourse of animal rights in the emerging public sphere. Placing sensibility in dialogue with classical and early-modern antecedents as well as contemporary animal studies, The Animal Claim uncovers crucial connections between eighteenth-century poetry; theories of communication; and post-absolutist, rights-based politics.
...MoreReview Katey Castellano (2016) Review of "The Animal Claim: Sensibility and the Creaturely Voice". Configurations: A Journal of Literature, Science, and Technology (pp. 553-555).
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Perkins, David;
(2003)
Romanticism and Animal Rights
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Leroy, Charles Georges;
Naigeon, Jacques André;
Sigaut, François;
(2006)
L'intelligence des animaux selon Charles-Georges Leroy (1723--1789)
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Thesis
Thomas John Doran;
(2017)
Vulgar Ethology: The Rhetoric of Animal Protection in American Natural History
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Anker, Peder;
(2004)
A Vindication of the Rights of Brutes
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Michelle Levy;
Betty A. Schellenberg;
(2021)
How and Why to Do Things with Eighteenth-Century Manuscripts
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Melissa Bailes;
(2016)
Literary Plagiarism and Scientific Originality in the "Trans-Atlantic Wilderness" of Goldsmith, Aikin, and Barbauld
(/p/isis/citation/CBB069069881/)
Thesis
Joseph Fletcher;
(2016)
Quid's Pantheism: William Blake as Natural Philosopher
(/p/isis/citation/CBB265152879/)
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Rachel Mann;
(2019)
Women’s Writing and The Poetics of Scientific Knowledge, 1620-1740
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Clare John;
M. M. Mahood;
(2016)
A John Clare Flora
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Christoph Irmscher;
Rosamond Purcell;
(2019)
The Poetics of Natural History
(/p/isis/citation/CBB494542808/)
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Sara Landreth;
(2016)
'Set His Image in Motion:' John Dennis and Early Eighteenth-Century Motion Imagery
(/p/isis/citation/CBB602061117/)
Article
Ashleigh Blackwood;
(2023)
‘Make the Medick Art my Whole Concern’: Poetry as Women's Literary Medical Practice
(/p/isis/citation/CBB415134692/)
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Tobias Menely;
(2021)
Climate and the making of worlds : Toward a geohistorical poetics
(/p/isis/citation/CBB812196506/)
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Bjarnadóttir, Kristín;
(2009)
A Puzzle Rhyme from 1782
(/p/isis/citation/CBB000931928/)
Article
Fara, Patricia;
Money, David;
(2004)
Isaac Newton and Augustan Anglo-Latin Poetry
(/p/isis/citation/CBB000471156/)
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Schneider, Wolfgang Christian;
(2012)
Die Natur, der Pfeil und das Triadische. Neuplatonische Spuren in Hölderlins Gedicht Wie wenn am Feiertage…
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List, Julia;
(2009)
Erasmus Darwin's Beautification of the Sublime: Materialism, Religion and the Reception of The Economy of Vegetation in the Early 1790s
(/p/isis/citation/CBB001032687/)
Thesis
Kurtis Hessel;
(2017)
Poetry and Chemistry, 1770-1830: Mingling Exploded Systems
(/p/isis/citation/CBB787342305/)
Book
Fara, Patricia;
(2012)
The Ingenious Dr. Darwin: Sex, Science, and Serendipity
(/p/isis/citation/CBB001251290/)
Thesis
Mary Taylor Mann;
(2023)
Vascular Aesthetics: Blood and British Poetry in the Long Nineteenth Century
(/p/isis/citation/CBB238384847/)
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