Article ID: CBB851762854

Artificial Intelligence: George Eliot, Ernst Kapp, and the Projections of Character (2020)

unapi

This article focuses on one of Eliot’s last and strangest pieces of writing: ‘Shadows of the Coming Race’ (the penultimate chapter of Impressions of Theophrastus Such). It argues that ‘Shadows’ was strikingly prescient — less in its imagining of future machine intelligence than in its prediction of how the cultural debate has developed around AI and AI’s consequences for humanity. By reading ‘Shadows’ alongside a near contemporary work, Ernst Kapp’s Elements of a Philosophy of Technology (1877), the article seeks to cast light on the peculiarly demanding style of an essay that projects strong characters, given to hyperbolic arguments, and quite uninterested in ‘the wisdom of balancing claims’. In Kapp’s conception of language and culture as tools, whose technological function becomes clearer if we consider the etymological connection of ‘character’ with engraving and printing, we may find a model for what Eliot is doing: putting the technology of her art visibly to the fore, in order to gain critical purchase on the challenges of imagining the future.

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Authors & Contributors
Banfield, Marie
Bowler, Peter J.
Buckland, Adelene
Cameron, Lauren
Coriale, Danielle
Duncan, Ian
Journals
Victorian Literature and Culture
Gender and History
History and Technology
Representations
Publishers
Harvard University
Yale University
Brandeis University
Cambridge University Press
D.S. Brewer
Oxford University Press
Concepts
Science and literature
Science fiction
Futurism
Popular culture
Science and culture
Poetry and poetics
People
Eliot, George
Hardy, Thomas
Spencer, Herbert
Dickens, Charles
Lewes, George Henry
Tennyson, Alfred, Lord
Time Periods
19th century
20th century
20th century, late
20th century, early
Early modern
Places
Great Britain
Ireland
France
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