Thesis ID: CBB832353783

The Science of Expression: Ausdruckskunde and Bodily Knowledge in German Modernist Culture (2019)

unapi

Vollgraff, Matthew H. (Author)
Jennings, Michael W. (Advisor)
Weigel, Sigrid (Advisor)


Princeton University
Jennings, Michael W.
Weigel, Sigrid
Publication date: 2019
Language: English


Publication Date: 2019
Physical Details: 453 pp.

From the late 1870s to the early 1930s, an interdisciplinary field named Ausdruckskunde flourished throughout German-speaking Europe. Its proponents analyzed the expressive movements of both human and nonhuman bodies as a medium of nondiscursive knowledge—whether psychological, aesthetic, historical, or all at once. Until now the full interdisciplinary scope of this “science of expression” has largely escaped scholarly notice; yet as this dissertation argues, the long-neglected history of Ausdruckskunde has profound implications for the way we understand the interrelations of art and science in German modernity. The spread of evolutionary anthropology, physiological aesthetics and new media technologies during this turbulent period exacerbated the problematic status of somatic expression, a phenomenon which then as now directly challenges oppositions between inner and outer, mind and matter, individual and social, and natural and artificial. Ausdruckskunde arose in response to these virulent uncertainties, proposing a heterogenous epistemology of bodily gesture that unsettled more established ways of knowing in both the natural and the human sciences. Over eight chapters examining the work of figures like Charles Darwin, Wilhelm Wundt, August Schmarsow, Aby Warburg, Ludwig Klages, Sergei Eisenstein, Max Scheler and Helmuth Plessner, I demonstrate how the “terra incognita” of expressive movement provoked a number of unprecedented close encounters and collaborations between far-flung methods and practices. The more they tried to resolve the problem of expression, I argue, the more these artists, scientists and scholars were compelled to displace the logic of individual sciences and produce new connections between them. Transgressing disciplinary boundaries in the pursuit of a more labile bodily knowledge, the itinerant science of expression remapped the relationships between nature and culture, art and language, memory and history, and human and nonhuman life in ways that have become more pertinent today than ever before.

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Authors & Contributors
Gordon, Sarah H.
Brain, Robert Michael
Brown, Candy Gunther
Galison, Peter
Hui, Alexandra
Kramer, Martin Oskar
Journals
Biology and Philosophy
British Journal for the History of Philosophy
Journal for Eighteenth-Century Studies
Pennsylvania Magazine of History and Biography
Publishers
Harvard University
University of Chicago
Princeton University
Taylor & Francis
Bloomsbury Academic
Johns Hopkins University Press
Concepts
Science and art
Aesthetics
Human body
Movement (biological)
Mind and body
Philosophy
People
Haeckel, Ernst
Kant, Immanuel
Demeny, Georges
Fechner, Gustav Theodor
Freud, Sigmund
Helmholtz, Hermann Ludwig Ferdinand von
Time Periods
19th century
20th century, early
18th century
20th century
21st century
17th century
Places
Germany
France
Vienna (Austria)
Europe
Americas
Eurasia
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