Valentino Catricalà (Author)
Carocci Editore
Publication date: 2024
Language: Italian
Physical Details: 128 pp.
Gli artisti di inizio Novecento, molti dei quali afferenti alle avanguardie storiche, sono stati i primi a doversi confrontare con la nuova realtà industriale che, a partire dalla seconda metà dell’Ottocento, ha profondamente cambiato le società. Hanno cercato di abitare artisticamente quel nuovo mondo mettendo in primo piano il ruolo della macchina, delle nuove corporeità tecnologiche, dell’intelligenza non umana, della produzione di mondi virtuali. Inventando nuove macchine visive e instaurando nuove modalità operative tra artisti e ingegneri, le loro pratiche hanno messo in discussione le categorie classiche dell’arte contemporanea. Il volume rilegge l’arte di quel periodo da un punto di vista inedito, quello dei suoi rapporti con la tecnologia, e sottolinea come le sue tendenze abbiano anticipato molte pratiche e filosofie oggi imperanti. Dopo un’introduzione sull’arte ai tempi della rivoluzione industriale, vengono così analizzati il modo in cui il mondo industriale ne ha ribaltato le forme introducendovi dinamismo, velocità, frammentazione, complessità, e come gli artisti dell’epoca presero letteralmente d’assalto i media (cinema, fotografia, radio, grammofono) sperimentandoli direttamente o reinventandoli. Ciò porterà ad affrontare un tema mai trattato finora: quello di tutti quegli artisti che hanno inventato nuove macchine sonore e visive, nuovi dispositivi per una nuova arte nell’epoca della tecnologia. [Abstract translated by Google Translate: This is the abstract in English… The artists of the early twentieth century, many of whom belonged to the historical avant-garde, were the first to have to deal with the new industrial reality which, starting from the second half of the nineteenth century, profoundly changed societies. They tried to artistically inhabit that new world by foregrounding the role of the machine, of new technological corporeities, of non-human intelligence, of the production of virtual worlds. By inventing new visual machines and establishing new modes of operation among artists and engineers, their practices have questioned the classical categories of contemporary art. The volume rereads the art of that period from a new point of view, that of its relationships with technology, and underlines how its trends anticipated many practices and philosophies prevalent today. After an introduction on art at the time of the industrial revolution, the way in which the industrial world overturned its forms is analyzed by introducing dynamism, speed, fragmentation, complexity, and how the artists of the time literally stormed the media (cinema, photography, radio, gramophone) by experimenting with them directly or reinventing them. This will lead to addressing a topic never discussed before: that of all those artists who have invented new sound and visual machines, new devices for a new art in the age of technology.]
...MoreSimilar Citations
Article
Re, Lucia;
(2009)
Mina Loy and the Quest for a Futurist Feminist Woman
(/p/isis/citation/CBB001030468/)
Article
Antonello, Pierpaolo;
Harmanmaa, Marja;
(2009)
Introduction: Future Imperfect---Italian Futurism between Tradition and Modernity
(/p/isis/citation/CBB001030465/)
Article
Pizzi, Katia;
(2009)
Dancing and Flying the Body Mechanical: Five Visions for the New Civilisation
(/p/isis/citation/CBB001030467/)
Article
Gorman, Carma;
(2006)
Educating the Eye: Body Mechanics and Streamlining in the United States, 1925--1950
(/p/isis/citation/CBB001030921/)
Book
Ross, Corey;
(2008)
Media and the Making of Modern Germany: Mass Communications, Society, and Politics from the Empire to the Third Reich
(/p/isis/citation/CBB001232126/)
Book
Anthony J. Connors;
(2014)
Ingenious Machinists: Two Inventive Lives from the American Industrial Revolution
(/p/isis/citation/CBB994328815/)
Book
Ketabgian, Tamara Siroone;
(2011)
The Lives of Machines: The Industrial Imaginary in Victorian Literature and Culture
(/p/isis/citation/CBB001211504/)
Article
Robert Carr;
(2021)
Art and industry: Seven artists in search of an industrial revolution in Britain (1780–1830)
(/p/isis/citation/CBB368103189/)
Article
Natalia Nikiforova;
(2020)
The Future of Electricity and Electricity as the Future: The Sociotechnical Imagination of Russian Electrical Engineers in the 19th Century
(/p/isis/citation/CBB682227369/)
Article
Richard Staley;
(2018)
The Interwar Period as a Machine Age: Mechanics, the Machine, Mechanisms, and the Market in Discourse
(/p/isis/citation/CBB761168392/)
Book
Han Sang Kim;
(2022)
Cine-Mobility: Twentieth-Century Transformations in Korea’s Film and Transportation
(/p/isis/citation/CBB509671328/)
Article
Papanelopoulou, Faidra;
Kjærgaard, Peter C.;
(2009)
Making the Paper: Science and Technology in Spanish, Greek and Danish Newspapers around 1900
(/p/isis/citation/CBB000932325/)
Book
Elias, Jamal J.;
(2010)
On Wings of Diesel: Trucks, Identity and Culture in Pakistan
(/p/isis/citation/CBB001202142/)
Article
Scott Kushner;
(2023)
Controlling Crowds: On the Technological Management of Entertainment Audiences
(/p/isis/citation/CBB939715935/)
Article
Tvedt, Terje;
(2010)
Why England and Not China and India? Water Systems and the History of the Industrial Revolution
(/p/isis/citation/CBB001421543/)
Book
Barbara Hahn;
(2020)
Technology in the Industrial Revolution
(/p/isis/citation/CBB086776543/)
Book
Lorenzo Fattori;
(2021)
Motori e miti della modernità
(/p/isis/citation/CBB643939656/)
Book
Lipsey, Richard G;
Carlaw, Kenneth;
Bekar, Clifford;
(2005)
Economic transformations: General purpose technologies and long-term economic growth
(/p/isis/citation/CBB001180076/)
Book
Wrigley, E. A.;
(2010)
Energy and the English Industrial Revolution
(/p/isis/citation/CBB001212255/)
Book
Brianta, Donata;
(2007)
Europa mineraria: Circolazione delle élites e trasferimento tecnologico (secoli XVIII--XIX)
(/p/isis/citation/CBB000953957/)
Be the first to comment!