Article ID: CBB784278864

From Facial Expressions to Bodily Gestures: Passions, Photography and Movement in French 19th-Century Sciences (2015)

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This article aims to determine to what extent photographic practices in psychology, psychiatry and physiology contributed to the definition of the external bodily signs of passions and emotions in the second half of the 19th century in France. Bridging the gap between recent research in the history of emotions and photographic history, the following analyses focus on the photographic production of scientists and photographers who made significant contributions to the study of expressions and gestures, namely Duchenne de Boulogne, Charles Darwin, Paul Richer and Albert Londe. This article argues that photography became a key technology in their works due to the adequateness of the exposure time of different cameras to the duration of the bodily manifestations to be recorded, and that these uses constituted facial expressions and bodily gestures as particular objects for the scientific study.

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Authors & Contributors
Delaporte, Françoise
Aubert, Geneviève
Dibattista, Liborio
Endersby, Jim
Evans, Bonnie
Evans, Samantha
Journals
Journal of Medical Biography
Comptes Rendus Biologies
Critical Inquiry
Filosofia e História da Biologia
History of the Human Sciences
Isis: International Review Devoted to the History of Science and Its Cultural Influences
Publishers
Oxford University Press
Presses Universitaires de France
Rodopi
Stanford University Press
Northwestern University
Concepts
Emotions; passions
Evolution
Psychology
Human-animal relationships
Photography
Neurology
People
Darwin, Charles Robert
Duchenne de Boulogne, Guillaume Benjamin
Charcot, Jean Martin
Paul Richer (1849-1933)
Bell, Charles
Gull, William Withey
Time Periods
19th century
18th century
20th century
20th century, early
Places
Great Britain
France
Italy
England
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