Article ID: CBB729992204

"Something Wasn't Clean": Black Midwifery, Birth, and Postwar Medical Education in All My Babies (2019)

unapi

Muigai, Wangui (Author)


Bulletin of the History of Medicine
Volume: 93
Issue: 1
Pages: 82-113
Publication date: 2019
Language: English


Set in rural Georgia, the 1953 health film All My Babies: A Midwife’s Own Story was a government-sponsored project intended as a training tool for midwives. The film was unique to feature a black midwife and a live birth at a time when southern health officials blamed midwives for the region’s infant mortality rates. Produced by the young filmmaker George Stoney, All My Babies was praised for its educational value and, as this article demonstrates, was a popular feature in postwar medical education. Yet as it drew acclaim, the film also sparked debates within and beyond medical settings concerning its portrayal of midwifery, birth, and health care for African Americans. In tracing the controversies over the film’s messages and representations, this article argues that All My Babies exemplified the power and limits of health films to address the complexities of race and health during an era of Jim Crow segregation.

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Authors & Contributors
Segrest, Mab
Daniels, O. C. Bobby
Farber, Paul Lawrence
Gainty, Caitjan
Holloway, Karla F. C.
Johnson, Lenworth N.
Journals
British Journal for the History of Science
Agricultural History
American Quarterly
Bulletin of the History of Medicine
Publishers
Duke University Press
Rutgers University Press
University of Minnesota Press
Boydell & Brewer
Johns Hopkins University Press
Oxford University Press
Concepts
African Americans
African Americans and science
Medicine and race
Public health
Psychiatry
Motion pictures; cinema; movies
People
Delee, Joseph Bolivar
Mazique, Edward Craig
Lorentz, Pare
Time Periods
20th century
19th century
20th century, early
20th century, late
21st century
Places
United States
Georgia (U.S.)
Africa
North America
Central America
Mississippi (U.S.)
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