Sven Dupre (Editor)
Dedo von Kerssenbrock-Krosigk (Editor)
Beat Wismer (Editor)
The idea of transforming stones into silver, common copper into gold, has captured the popular imagination for centuries. At its peak in the sixteenth and seventeenth centuries, alchemy, the "royal art,” served as both a catalyst for developments in the nascent chemistry of the day and a framework for making sense of this rapidly changing science. Throughout history, alchemists have also been seen as practitioners of an arcane spiritual act symbolizing the cleansing of the human soul. These shifting interpretations that straddle science and art have made alchemy a particularly fruitful subject for artists, from the renowned painters of the High Renaissance to contemporary artists like Sigmar Polke and Anish Kapoor. Lavishly illustrated, Art and Alchemy accompanies an exhibition of the same name at the Museum Kunstpalast in Düsseldorf that brings together historical texts and a selection of artworks that take alchemy as their inspiration. Among the works discussed are Melancholy by Lucas Cranach the Elder, an oil painting that plays on the classical alchemical element; Jan Brueghel the Elder’s The Allegory of Fire; and a variety of works by Dutch painter, draftsman, and printmaker Hendrick Goltzius. Alchemy also continues to play an important role in the works of contemporary artists like Yves Klein, Jörg Lenzlinger, Gerda Steiner, and Anselm Kiefer, and their works are included, as are contributions from contemporary scientists who offer the results of their recent research. In addition to providing an apt theme for artistic interpretation, alchemical practices were often used to produce art, as with the preparation of the old-world pigments leadwhite and vermillion, demonstrating the manifold connections between the two disciplines. A fascinating collection that explores the disciplines’ many intersections and common concerns, Art and Alchemy also sheds light on how our understanding of the world and our position in it has changed over time.
...MoreReview Gabriele Ferrario (2016) Review of "Art and Alchemy: Mystery of Transformation". Ambix: Journal of the Society for the History of Alchemy and Chemistry (pp. 71-72).
Chapter Lawrence M. Principe (2014) A Practical Science: The History of Alchemy. In: Art and Alchemy: Mystery of Transformation.
Chapter Sven Dupré (2014) Making Materials: The Arts of Fire. In: Art and Alchemy: Mystery of Transformation.
Chapter William R. Newman (2014) God’s Crafts: Imitating and Recreating Nature. In: Art and Alchemy: Mystery of Transformation.
Chapter Lawrence M. Principe (2014) Spaces of Wonder and Ruin: Alchemical Laboratories in Early Modern Painting. In: Art and Alchemy: Mystery of Transformation.
Chapter Jennifer M. Rampling (2014) A Secret Language: The Ripley Scrolls. In: Art and Alchemy: Mystery of Transformation.
Chapter Christine Göttler (2014) Allegories of Fire and of the Arts. In: Art and Alchemy: Mystery of Transformation.
Chapter Ulli Seegers (2014) Metabolic Processes: On Great Works and Invisible Values in Contemporary Art. In: Art and Alchemy: Mystery of Transformation.
Chapter Tina L. Meganck (2014) The “Reddener”: Peter Paul Rubens and Alchemy. In: Art and Alchemy: Mystery of Transformation.
Chapter M. E. Warlick (2014) Surrealism and Alchemy. In: Art and Alchemy: Mystery of Transformation.
Article
Lorenza Gianfrancesco;
(2018)
Books, Gold, and Elixir: Alchemy and Religious Orders in Early Modern Naples
(/p/isis/citation/CBB076437716/)
Article
Lotysz, Slawomir;
(2009)
An Alchemist or Swindler? The Case of Zbigniew Dunikowski
(/p/isis/citation/CBB000932728/)
Article
Liang, Honggang;
He, Zhiguo;
Sun, Shuyun;
(2007)
China's Earliest Taoist Alchemical Artifact: Initial Study on the Gold-Mercury Alloy Unearthed from the No. 2 Western Han Tomb in Shuangbaoshan, Mianyang, Sichuan Province
(/p/isis/citation/CBB000933464/)
Article
Han, Jishao;
(2009)
Exploration in Alchemy of Western Han Dynasty
(/p/isis/citation/CBB000933764/)
Chapter
Rey Bueno, Mar;
(2008)
The Collector of Secrets: Potable Gold, and Italian Alchemist and a Nurse-Soldier in Lastanosa's Laboratory
(/p/isis/citation/CBB001023415/)
Article
Donna Bilak;
George Vrtis;
(2023)
Environmental Alchemy: Mercury-Gold Amalgamation Mining and the Transformation of the Earth
(/p/isis/citation/CBB544660599/)
Article
Ku-ming (Kevin) Chang;
(2021)
From University to Court: The Reversal of Stahl’s Positions on Gold-Making
(/p/isis/citation/CBB866446574/)
Article
Matteo Martelli;
(2022)
Transmuting tinctures. Water of sulphur, quicklime, and ‘washes’ in Graeco-Egyptian alchemy
(/p/isis/citation/CBB457217131/)
Article
Alessandro Pacini;
(2019)
Apprentices and masters - the transmission of ancient goldsmith techniques
(/p/isis/citation/CBB907846400/)
Article
Ferdinando Abbri;
(2019)
Gold and silver: perfection of metals in medieval and early modern alchemy
(/p/isis/citation/CBB592218557/)
Article
Vincenzo Carlotta;
Matteo Martelli;
(2023)
Metals as Living Bodies. Founts of Mercury, Amalgams, and Chrysocolla
(/p/isis/citation/CBB926056627/)
Article
Karpenko, Vladimír;
(2007)
Not All That Glitters Is Gold: Gold Imitations in History
(/p/isis/citation/CBB000773040/)
Chapter
Fauré, Benjamin;
(2010)
The Disputatio Scoti Falsely Attributed to Michael Scot (14th C.)
(/p/isis/citation/CBB001023505/)
Article
Ute Frietsch;
(2023)
Die materielle Kultur der Alchemie oder Wie sich wissenschaftsgeschichtliche Replikationen und buchwissenschaftliche Analysen ergänzen (The Material Culture of Alchemy or How Replications in the History of Science and Analyses in Book Science Complement Each Other)
(/p/isis/citation/CBB777161166/)
Article
Umberto Veronesi;
Marcos Martinón-Torres;
(2022)
The Old Ashmolean Museum and Oxford’s Seventeenth-Century Chymical Community: A Material Culture Approach To Laboratory Experiments
(/p/isis/citation/CBB006517357/)
Article
Bruce T. Moran;
(2021)
Court Authority and the University: Networks, Recipes, and Things-in-the-Making vs. the Abstractions of Made Things
(/p/isis/citation/CBB242194040/)
Article
Lawrence M. Principe;
(2016)
Chymical Exotica in the Seventeenth Century, or, How to Make the Bologna Stone
(/p/isis/citation/CBB608515040/)
Chapter
Bartels, Christoph;
(2010)
The Production of Silver, Copper, and Lead in the Harz Mountains from Late Medieval Times to the Onset of Industrialization
(/p/isis/citation/CBB001020287/)
Chapter
Smith, Pamela H.;
(2010)
Vermilion, Mercury, Blood, and Lizards: Matter and Meaning in Metalworking
(/p/isis/citation/CBB001020285/)
Book
Christy Anderson;
Anne Dunlop;
Pamela H. Smith;
(2016)
The Matter of Art. Materials, Practices, Cultural Logics, c. 1250-1750
(/p/isis/citation/CBB876860571/)
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