Philip Steadman (Author)
Renaissance Fun is about the technology of entertainment in the forms of stage machinery, theatrical special effects, gardens, fountains, automata, and self-playing musical instruments from the Renaissance. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was “artificial music,” three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? While this book is offered as entertainment in itself, it also offers a more serious scholarly argument centered on the enormous influence of Vitruvius and Hero, two ancient writers who composed on the subject. (Publisher)
...MoreReview Luciano Boschiero (2022) Review of "Renaissance fun : the machines behind the scenes". Metascience: An International Review Journal for the History, Philosophy and Social Studies of Science (pp. 251-253).
Review Wendy C. Nielsen (2022) Review of "Renaissance fun : the machines behind the scenes". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 654-655).
Review Joseph Wachelder (January 2022) Review of "Renaissance fun : the machines behind the scenes". Technology and Culture (pp. 239-241).
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Architectures de papier: la France et l'Europe (XVIe-XVIIe siècles)
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Samuel E. Backer;
(Autumn 2021)
The Informational Economy of Vaudeville and the Business of American Entertainment
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Long, Pamela O.;
(2000)
Technology, society and culture in late Medieval and Renaissance Europe, 1300--1600
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O'Brien, Patrick;
(2013)
Historical Foundations for a Global Perspective on the Emergence of a Western European Regime for the Discovery, Development, and Diffusion of Useful and Reliable Knowledge
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Cristina Grazioli;
(2010)
Allegorie d’acqua e luce: uno spettacolo pirotecnico sul Reno a Düsseldorf nel 1585
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(2021)
Unfixable forms : Disability, performance, and the early modern English theater
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Shakespeare and disability studies
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Blair, Ann;
(2010)
Too Much to Know: Managing Scholarly Information before the Modern Age
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(2023)
La rivoluzione scientifica: Una brevissima introduzione
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Kevin Curran;
(2020)
Renaissance personhood : Materiality, taxonomy, process
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Laurence Wuidar;
(2009)
L'interdetto della conoscenza: segreti celesti e arcani musicali nel Cinquecento e Seicento
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Carla Camana;
Ernesto Riva;
(2017)
le farmacopee private in Europa dalle origini ai tempi moderni
(/p/isis/citation/CBB412027120/)
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Thierry Belleguic;
(2013)
Ordre et désordre du monde: enquête sur les météores, de la Renaissance à l'âge moderne
(/p/isis/citation/CBB238470883/)
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Tomáš Nejeschleba;
Jiří Michalík;
(2015)
Latin Alchemical Literature of Czech Provenance: Proceedings from the Centre for Renaissance Texts Conference (16-17 October 2014)
(/p/isis/citation/CBB299023375/)
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Stefano Gattei;
(2015)
The Phoenix and the Architect: The Frontispiece of Kepler's "Tabulae Rudolphinae"
(/p/isis/citation/CBB809637959/)
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Pietro Daniel Omodeo;
(2015)
Riflessioni sul moto terrestre nel Rinascimento: tra filosofia naturale, meccanica e cosmologia
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Chapter
Patricia Radelet-de-Grave;
(2015)
La chute des corps, le mouvement des corps célestes et l'unification des mondes
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Chapter
Thomas B. Settle;
(2015)
On the Medieval Empirical Know-how Behind Precise Early Modern Science: The Case of Galileo
(/p/isis/citation/CBB902599052/)
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Elide Casali;
(2012)
"Anatomie Astrologiche". Melotesia e pronosticazione (sec. XVI-XVII)
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Giuseppe Penso;
(1973)
La conquista del mondo invisibile. Parassiti e microbi nella storia della civiltà
(/p/isis/citation/CBB161101305/)
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