Canadelli, Elena (Editor)
Beretta, Marco (Editor)
Ronzon, Laura (Editor)
"As part of the Smithsonian Institution Scholarly Press Artefacts Book Series, Behind the Exhibit: Displaying Science and Technology at World's Fairs and Museums in the Twentieth Century brings together museum curators and historians who tackle the problem of how to display science, technology, and history to the public in ways that engage as well as educate. The case studies within show how, during the course of nearly a century, world's fairs and museums became public spaces for the representation of scientific discovery and technological innovation in relation to national rhetoric, use of history, and the challenging idea of modernity. The essays cover how science and technology have been presented at world's fairs, exhibitions and museums in the United States, Europe, Russia and Japan from the end of the nineteenth century to 1970. What emerges is a study of the tension between basic science and technological applications, the multi-layered role of history, the appearance and disappearance of artifacts, and the search for a balance between entertainment and education."--Provided by publisher.
...MoreReview Steven Lubar (2021) Review of "Behind the Exhibit: Displaying Science and Technology at World's Fairs and Museums in the Twentieth Century". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 435-435).
Review Morris Low (October 2020) Review of "Behind the Exhibit: Displaying Science and Technology at World's Fairs and Museums in the Twentieth Century". Technology and Culture (pp. 1269-1270).
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Blanchard, Pascal;
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Human Zoos: Science and Spectacle in the Age of Colonial Empires
(/p/isis/citation/CBB001033417/)
Chapter
Raffaella Vassena;
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Lo scienziato-filosofo e il soldato rivoluzionario in Aelita, 1922-1923, di Aleksej Tolstoj: dal romanzo al film
(/p/isis/citation/CBB103363152/)
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Marco Castellari;
(2014)
Formula e metafora: figure di scienziati nelle letterature e culture contemporanee
(/p/isis/citation/CBB976488878/)
Thesis
Sneddon, Matthew T.;
(2009)
Representing Tradition in an Age of Progress: Technology and American Identity in Exhibitions and Museums, 1824--1952
(/p/isis/citation/CBB001562862/)
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Podgorny, Irina;
(2013)
Travelling Museums and Itinerant Collections in Nineteenth-Century Latin America
(/p/isis/citation/CBB001421588/)
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Jochen Hennig;
Udo Andraschke;
(2010)
WeltWissen: 300 Jahre Wissenschaften in Berlin
(/p/isis/citation/CBB287068262/)
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Anthony S. Travis;
(2017)
Globalising Synthetic Nitrogen: The Interwar Inauguration of a New Industry
(/p/isis/citation/CBB372209713/)
Book
Charles Avery;
Samuel Shaw;
Helen Cowie;
Robert Wenley;
(2022)
Miss Clara and the Celebrity Beast in Art 1500–1860
(/p/isis/citation/CBB268778466/)
Article
Jessamyn R. Abel;
(January 2021)
Technologies of Cold War Diplomacy: Transforming Postwar Japan
(/p/isis/citation/CBB052338530/)
Book
Carlson, W. Bernard;
(2013)
Tesla: Inventor of the Electrical Age
(/p/isis/citation/CBB001201095/)
Article
Dulce da Rocha Gonçalves;
(2020)
Science between the fairground and the academy: The case of Dutch science popularizer L. K. Maju (1823–1886)
(/p/isis/citation/CBB074545488/)
Article
Durbach, Nadja;
(2014)
“Skinless Wonders”: Body Worlds and the Victorian Freak Show
(/p/isis/citation/CBB001214577/)
Book
Alexander Pechenkin;
(2018)
The History of Research on Chemical Periodic Processes
(/p/isis/citation/CBB757079672/)
Article
Paolo Brenni;
(2019)
Prizes, Medals and Honourable Mentions: How Instrument Makers Were Rewarded at 19th-Century Exhibitions
(/p/isis/citation/CBB060918195/)
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Turner, Anthony John;
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Après Gassendi: son influence et sa réputation, essai: avec l'histoire des collections scientifiques et un catalogue des instruments et appareils concernant les sciences exactes appartenant au Musée Gassendi à Digne-les-Bains
(/p/isis/citation/CBB000772102/)
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Dyson, Stephen L.;
(2006)
In Pursuit of Ancient Pasts: A History of Classical Archaeology in the Nineteenth and Twentieth Centuries
(/p/isis/citation/CBB000772797/)
Chapter
Francesca Ripamonti;
(2014)
Victor Frankenstein, ovvero il Prometeo moderno nella cinematografia del xx secolo
(/p/isis/citation/CBB534181860/)
Book
Anke te Heesen;
Margarete Vöhringer;
(2014)
Wissenschaft im Museum-Ausstellung im Labor
(/p/isis/citation/CBB151453098/)
Article
William S. Walker;
(2011)
“We Don't Live Like That Anymore”: Native Peoples at the Smithsonian's Festival of American Folklife, 1970––1976
(/p/isis/citation/CBB911454252/)
Article
Sally Gregory Kohlstedt;
(2016)
Museum perceptions and productions: American migrations of a Maori hei-tiki
(/p/isis/citation/CBB964852290/)
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