Article ID: CBB468963823

«From the face and the expression of the eyes»: Multidisciplinary studies of pigments in ancient Greek and Roman painted surfaces (2023)

unapi

Studies of the materiality of ancient works of art can provide valuable insights into their broader meaning, or significance. Scientific investigations on materials used, as well as their application technique, reveal a high level of complexity in the making of ancient painted surfaces. This paper discusses two aspects of ancient painting techniques: the whites of the eyes and the skin tones, whose mode of representation could be traced to Pharaonic Egypt. Through examples, it is argued that painting techniques are both part of an artistic continuum, in which traditions are followed, as well as transformed, taking new meanings in the cultural contexts in which they evolve. Greek and Roman artists likely adapted existing techniques to their own needs and artistic expressions to communicate new meanings.

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Authors & Contributors
Andorlini, Isabella
Ulrike Koch-Brinkmann
Vinzenz Brinkmann
Berggren, John Lennart
Fuchs, Robert
Hoz, María Paz de
Journals
Technai, An International Journal for Ancient Science and Technology
Geographia antiqua
Medicina nei Secoli - Arte e Scienza
Ferrum
Publishers
Le Monnier
Gangemi Editore
Concepts
Interdisciplinary approach to knowledge
Color
Technology
Medicine
Roman Empire
Dyes
People
Galen
Ptolemy, Claudius
Asclepius of Epidaurus
Dioscorides, Pedanios
Eratosthenes of Cyrene
Pliny the Elder
Time Periods
Ancient
2nd century
6th century
Bronze age
Medieval
Prehistory
Places
Egypt
Mediterranean region
Hellenistic world
Alexandria (Egypt)
Mesopotamia
China
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