Staley, Richard A. (Author)
This paper highlights the significance of sensory studies and psychophysical investigations of the relations between psychic and physical phenomena for our understanding of the development of the physics discipline, by examining aspects of research on sense perception, physiology, esthetics, and psychology in the work of Gustav Theodor Fechner, Hermann von Helmholtz, Wilhelm Wundt, and Ernst Mach between 1860 and 1871. It complements previous approaches oriented around research on vision, Fechner’s psychophysics, or the founding of experimental psychology, by charting Mach’s engagement with psychophysical experiments in particular. Examining Mach’s study of the senses and esthetics, his changing attitudes toward the mechanical worldview and atomism, and his articulation of comparative understandings of sensual, geometrical, and physical spaces helps set Mach’s emerging epistemological views in the context of his teaching and research. Mach complemented an analytic strategy focused on parallel psychic and physical dimensions of sensation, with a synthetic comparative approach – building analogies between the retina, the individual, and social life, and moving between abstract and sensual spaces. An examination of the broadly based critique that Mach articulated in his 1871 lecture on the conservation of work shows how his historical approach helped Mach cast what he now saw as a narrowly limiting emphasis on mechanics as a phase yet to be overcome.
...More
Book
Mach, Ernst;
(2001)
Fundamentals of the Theory of Movement Perception
Book
Pietro Gori;
(2018)
Ernst Mach: tra scienza e filosofia
Article
Richard Staley;
(2024)
Boltzmann, Mach and Wittgenstein’s Vienna
Article
Marco Giovanelli;
(2017)
The Sensation and the Stimulus: Psychophysics and the Prehistory of the Marburg School
Thesis
Hui, Alexandra;
(2008)
Hearing Sound as Music: Psychophysical Studies of Sound Sensation and the Music Culture of Germany, 1860--1910
Book
Blackmore, J.;
Itagaki, R.;
Tanaka, S.;
(2001)
Ernst Mach's Vienna 1895-1930, Or Phenomenalism as Philosophy of Science
Chapter
Zanarini, Gianni;
(2001)
Hermann von Helmholtz and Ernst Mach on Musical Consonance
Book
Erica Fretwell;
(2020)
Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling
Article
Anna Kvicalova;
(2022)
Purkyně’s Opistophone: the hearing ‘Deaf’, auditory attention and organic subjectivity in Prague psychophysical experiments, ca 1850s
Article
Bächtold, Manuel;
(2010)
Saving Mach's View on Atoms
Chapter
Massimo Ferrari;
(2018)
“Uno strenuo difensore” di Mach: John Bernhard Stallo
Chapter
Luca Guidetti;
(2018)
Il problema dell'analogia in Ernst Mach
Chapter
Marco Buzzoni;
(2018)
Ernst Mach interprete di Pierre Duhem. Valore e limiti della sperimentazione mentale
Chapter
Erik C. Banks;
(2018)
The Case for Mach's Neutral Monism
Book
John Preston;
(2021)
Interpreting Mach: Critical Essays
Article
Pojman, Paul;
(2011)
The Influence of Biology and Psychology upon Physics: Ernst Mach Revisited
Book
Blackmore, John T.;
Itagaki, Ryoichi;
Tanaka, Setsuko;
(2006)
Ernst Mach's Science: Its Character and Influence on Einstein and Others
Book
Blackmore, John T.;
(2010)
Ernst Mach's Graz (1864--1867): Where Much Science and Philosophy Were Developed
Book
Jamie C. Kassler;
(2019)
Newton’s Sensorium: Anatomy of a Concept
Article
Pesic, Peter;
(2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space”
Be the first to comment!