Article ID: CBB180031877

Music and Montesquieu's Climate Theory in the Criticism of Joseph Baretti and His English Contemporaries (2016)

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Montesquieu's climatological theory of character played an important role in English musical criticism in the third quarter of the eighteenth century and helped form an intellectual basis for an English critique of Italian comic opera in the sentimental mode. Critics like Joseph Baretti used Montesquieu's theory to conceptualize relationships between music, audience, and environment. They were drawn to Montesquieu not simply because his political ideas were popular, but also because his thought was directly engaged with midcentury concerns about music's power over the body, its role in climatic determinism, and the important part it could play in a civil society.

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Authors & Contributors
Allen, Robert C.
Battin, Jacques
Baum, John Alan
Bensaude-Vincent, Bernadette
Blondel, Christine
Imbruglia, Girolamo
Journals
Eighteenth-Century Studies
Early Science and Medicine: A Journal for the Study of Science, Technology and Medicine in the Pre-modern Period
Economic History Review
Eighteenth-Century Life
French Historical Studies
Histoire des Sciences Médicales
Publishers
Ashgate
Clarendon
Pergamon
Yale University Press
Concepts
Science and society
Colonialism
Science and politics
Popularization
Biographies
Medicine
People
Montesquieu, Charles de Secondat, Baron de
Diderot, Denis
Fragonard, Honoré
Franklin, Benjamin
Gauthier, Jean François
Herschel, William
Time Periods
18th century
19th century
Enlightenment
17th century
16th century
Places
England
France
Ireland
Australia
Canada
Germany
Institutions
Lunar Society of Birmingham (England)
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