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Article ID: CBB119174131

Listening for the Ivory-billed Woodpecker: Sonic geography and the making of extinction knowledge (2024)

Hannah Hunter (Author)

Social Studies of Science
Volume: 54
Issue: 3
Pages: 325-351
Publication date: 2024
Language: English

URI: https://doi.org/10.1177/03063127231214501

DOI: 10.1177/03063127231214501

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Sound recordings Ornithology Extinction (biology) Woodpeckers 20th century 21st century United States U.S. Fish and Wildlife Service (FWS) Cornell University, Laboratory of Ornithology

If an apparently extinct bird calls in a forest, and there are people there to hear it—to record it, even—is it still extinct? The Ivory-billed Woodpecker was last ‘officially’ seen in the United States in 1944, but its extinction continues to be a subject of intense debate between conservation authorities, scientists, and grassroots activists. Tensions peaked around 2005, when scientists from the Cornell Laboratory of Ornithology announced their rediscovery of the species. However, their evidence received significant challenge from other ornithologists, and this apparent rediscovery has since been generally dismissed. In 2021, the United States Fish and Wildlife Service recommended the ivorybill be declared officially extinct. Still, many people continue to trawl the Southeastern forests in search of ivorybills. In this article, I investigate the methods, debates, and results of efforts to locate this species, with a focus on sound. In doing so, I explore the interconnected roles of sound and space in the making of extinction knowledge. Sonic search methods of listening, sounding, and translating are core ways that searchers attempt to attune to, communicate with, and establish evidence of ivorybills. Additionally, sonic search practices are critical spaces of negotiation and contestation between different searchers, between searchers and ivorybills, and between searchers and skeptics. Ultimately, this article argues that sonic geographies affect the production of extinction knowledge, and vice versa—extinction knowledge making practices produce distinct sonic geographies.

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