Article ID: CBB063018026

Scrollwork: Visual Cultures of Musical Notation and Graphic Materiality in the English Renaissance (2023)

unapi

Early modern English musical notation bears a fleeting resemblance to that of its modern counterpart. This superficial similarity conceals the markedly different manner in which early music notation functioned and the clues that it offers for an older and more dynamic way of reading music. This form of notation was not a transcription for future performance but rather a provocation to performance. As a result, musical notation frequently “leaked” into decorative margins. The musical pages of this period display evident delight in melding, blending, and blurring the distinction between decorative and notational elements in an effort to forge musical meaning. This article explores how far the curled lines of musical notation and ornamentation can be thought of as visual prompts to think about music and its continuation beyond the space of the page, testament to an older, more playful understanding of how to read music.

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Authors & Contributors
Alfonso-Goldfarb, Ana Maria
Arrizabalaga, Jon
Becker, Alexander
Beeley, Philip
Berns, Jörg Jochen
Bromberg, Carla
Journals
Archives of Natural History
Asclepio: Archivo Iberoamericano de Historia de la Medicina
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
Circumscribere: International Journal for the History of Science
History and Technology
Médiévales
Publishers
Leuven University Press
Oxford University Press
Palgrave Macmillan
Routledge
Routledge/Taylor & Francis Group
University of Chicago Press
Concepts
Music
Manuscripts
Print culture
Mathematics
Music theory
Science and religion
People
Burckhardt, Jacob
Dygon, John
Ficino, Marsilio
Gaffurius, Franchinus
Galilei, Galileo
Galilei, Vincenzo
Time Periods
16th century
Renaissance
17th century
15th century
Early modern
18th century
Places
England
Italy
Europe
Paris (France)
Tuscany (Italy)
France
Institutions
Muséum National d'Histoire Naturelle, Paris
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