Thesis ID: CBB001567378

World Image after World Empire: The Ptolemaic Cosmos in the Early Middle Ages, ca. 700--900 (2012)

unapi

Anderson, Benjamin W. (Author)


Hertel, Christiane
Kuttner, Ann
Bryn Mawr College
Cast, David
Hertel, Christiane
Kuttner, Ann
Nees, Lawrence
Kinney, Dale
Cast, David
Nees, Lawrence
Publication date: 2012
Language: English


Publication Date: 2012
Edition Details: Advisor: Kinney, Dale; Committee Members: Cast, David, Hertel, Christiane, Kuttner, Ann, Nees, Lawrence.
Physical Details: 727 pp.

Images of the Ptolemaic cosmos were produced in all three major early medieval successors to the Roman Empire (the Carolingian, the Byzantine, and the Umayyad states). Early medieval cosmological images remained formally and iconographically close to their late antique models. They thus provide a point of comparison allowing examination of the changing functions of images. Two primary functions of ancient cosmological images are identified: the epistemological (images as carriers of information about the Ptolemaic world system) and the symbolic (images as signs of "the cosmos" within broader signifying systems). In early medieval Byzantine art the epistemological function predominated. The Vatican Ptolemy (Vaticanus Graecus 1291), a manuscript produced ca. 750, was a manual intended to ensure imperial access to natural-scientific knowledge. It may thus be compared to contemporary metrological monuments, in particular the Horologion of Hagia Sophia and the Anemodoulion, erected by emperors in Constantinople. Its apparent lack of progeny is related to a jealous "economy of knowledge" that developed from social antagonisms between centralizing emperors and elites determined to maintain independent sources of power. Charlemagne's silver table and the Cathedra Petri have traditionally been considered props for staging the Carolingian ruler as a cosmocrator through use of cosmological imagery. However, in the Carolingian world, as in the Byzantine, the epistemological function of cosmological imagery predominated. The proliferation of manuscripts with cosmological imagery, particularly in the period between ca. 800 and 820, provides a contrast to Byzantine scarcity, and evidence for a porous "economy of knowledge." Cosmological images aided in the formation of identities shared between state functionaries and hereditary elites. Cosmographic imagery, both terrestrial (the mosaics of the Umayyad Mosque of Damascus) and celestial (the frescoes of Qusayr 'Amra) played a major role in the staging of Umayyad rule. Thus in the early Islamic state it was the symbolic function that predominated. This is related to the gulf between the Umayyad state and its host society, and the necessity for Umayyad caliphs to develop a flexible visual rhetoric for articulating the nature of their rule to various constituencies.

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Description Cited in Dissertation Abstracts International-A 74/09(E), Mar 2014. Proquest Document ID: 1377282671.


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Authors & Contributors
Boudet, Jean-Patrice
Burnett, Charles
Dalen, Benno van
De Young, Gregg
Gamini, Amir Mohammad
Goldstein, Bernard R.
Journals
MHNH (Revista Internacional de Investigación sobre Magia y Astrología Antiguas)
Tarikh-e Elm (The Iranian Journal for the History of Science)
Aleph: Historical Studies in Science and Judaism
Almagest
Jahrbuch der österreichischen Byzantinistik
Micrologus: Natura, Scienze e Società Medievali
Publishers
University of Toronto
Columbia University
Brepols
Edizioni Della Normale
Harvey Miller Publishers
Institut Français de Recherche en Iran
Concepts
Manuscripts
Astronomy
Arab/Islamic world, civilization and culture
Cosmology
Illustrations
Translations
People
Ptolemy
Gregoras, Nicephorus
Barlaam Calabro
Quṭb al-Dīn Shīrāzī
Aflah, Yabir ibn al
Gerard of Cremona
Time Periods
Medieval
Ancient
11th century
14th century
12th century
13th century
Places
Byzantium
Rome (Italy)
Greece
Europe
Alexandria (Egypt)
Iran
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