Thesis ID: CBB001567292

The Rules of Perception: American Color Science, 1831--1931 (2011)

unapi

Rossi, Michael Paul (Author)


Massachusetts Institute of Technology, MIT
Jones, David S.
Publication date: 2011
Language: English


Publication Date: 2011
Edition Details: Advisor: Jones, David S.

Although vision was seldom studied in Antebellum America, color and color perception became a critical field of scientific inquiry in the United States during the Gilded Age and progressive era. Through a historical investigation of color science in the United States in the late nineteenth and early twentieth centuries, I argue that attempts to scientifically measure, define, and regulate color were part of a wider program to construct a more rational, harmonious, and efficient American polity starting from one of the very baseline perceptual components of reality--the experience of color. As part of this program, I argue secondly that color science was as much a matter of prescription as description--that is, color scientists didn't simply endeavor to reveal the facts of perception and apply them to social problems, they wanted to train everyday citizens to see scientifically , and thereby create citizens whose eyes, bodies, and minds were both medically healthy and morally tuned to the needs of the modern American nation. Finally, I argue not simply that perception has a history--i.e. that perceptual practices change over time, and that, for Americans of a century ago, experiences of color sensations were not taken as given but had to be laboriously crafted--but also that this history weighs heavily upon our present day understanding of visual reality, as manifested not least of all in scientific studies of vision, language, and cognition. Employing a close reading of the archival and published sources of a range of actors including physicist Ogden Rood, semiotician Charles Peirce, logician Christine Ladd-Franklin, board game magnate Milton Bradley, and art professor Alfred Munsell, among others, this study reveals the origins of some of the most deeply-rooted conceptions of color in modern American culture. (Copies available exclusively from MIT Libraries, Rm. 14-0551, Cambridge, MA 02139-4307. Ph. 617-253-5668; Fax 617-253-1690.)

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Description Cited in Dissertation Abstracts International-A 73/06, Dec 2012. Proquest Document ID: 931640695.


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Authors & Contributors
Branch, Michael P.
Brownlee, Peter John
Cobo, Jesús
Jacobs, Gerald H.
Kargon, Jeremy
Nubiola, Jaime
Journals
Archives of Natural History
German History
Journal of the History of the Behavioral Sciences
Journal of the History of the Neurosciences
Leonardo
Llull: Revista de la Sociedad Española de Historia de las Ciencias y de las Técnicas
Publishers
Harvard University
Harvard University Press
Pennsylvania State University Press
Springer-Verlag
University of California Press
University of Chicago Press
Concepts
Visual perception
Senses and sensation; perception
Vision
Visual representation; visual communication
Color
Eyes; sight organs
People
Franklin, Christine Ladd
Peirce, Charles Sanders
Wundt, Wilhelm Max
Einstein, Albert
Grévin, Jacques
Helmholtz, Hermann Ludwig Ferdinand von
Time Periods
19th century
20th century, early
20th century
18th century
16th century
Modern
Places
United States
Germany
Paris (France)
Canada
Europe
France
Institutions
University of Edinburgh
University of Toronto
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