Thesis ID: CBB001561216

Chaos and the Microcosm: Literary Ecology in the Nineteenth-Century (2009)

unapi

Scott, Heidi Cathryn Molly (Author)


University of Maryland, College Park
Fraistat, Neil
Publication date: 2009
Language: English


Publication Date: 2009
Edition Details: Advisor: Fraistat, Neil
Physical Details: 295 pp.

This dissertation investigates literary responses to environmental change in nineteenth-century England. Two tropes, chaos in narrative and the microcosm in lyric poetry, suggest how literary works may have been precursors of ecological science. I argue that literary epistemology in the long nineteenth-century developed precocious theories of the way nature operates based on contingent narrative and microcosm systems. These ideas were adopted as empirical strategies once scientific ecology emerged in the twentieth-century, and both tropes are prominent in twenty-first century ecological science. Ecology appeared late among scientific disciplines partly because it relies on cooperation between reduction and holism: climate change theory, for example, uses microcosm models to develop narratives of environmental contingency. Five chapters consider these two tropes from historical, literary, and scientific perspectives. The first chapter is a historical introduction to nineteenth-century science that traces the development of environmental awareness from industrial pollution and early studies of nature in microcosm, especially in the work of Charles Darwin and Stephen Forbes. Chapter two investigates four narratives of environmental chaos spanning the long nineteenth-century: Gilbert White, Mary Shelley, Richard Jefferies and H.G. Wells emplot the radical new notion of a post-apocalypse environment in narratives that rely on chaotic discontinuity, rather than the coherent gradualism that marked evolutionary theories of the time. Chapter three examines microcosmic imagery in the work of several important poets, including William and Dorothy Wordsworth, John Clare, Percy Shelley, and Matthew Arnold. I argue that the imagination and close observation of nineteenth-century poets helped the nascent sciences conceive of ways to simplify nature without dismembering its complex structures. Chapter four, devoted to the ecological thinking of John Keats, traces his abandonment of teleological narrative in Hyperion in preference for the microcosmic Odes. Finally, chapter five reconciles the two tropes with an excursion into modern ecosystem science, paying particular attention to our contemporary strategies for investigating climate change. This chapter serves as a summation of the dissertation by complicating the dichotomy between chaotic narrative and model-microcosm, and it brings the study into concerns of the present day. References References (153)

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Description Cited in Diss. Abstr. Int. A 70/06 (2009). Pub. no. AAT 3359421.


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Authors & Contributors
Bayley, Mel
Bowerbank, Sylvia Lorraine
DeWitt, Anne
Hamlin, Christopher S.
Ingram, Annie Merrill
Kilcup, Karen L
Journals
19: Interdisciplinary Studies in the Long Nineteenth Century
British Society for the History of Mathematics Bulletin
Journal of Social History
Nineteenth-Century Contexts
Victorian Literature and Culture
Victorian Studies
Publishers
Cambridge University Press
University of Georgia Press
Ashgate
Duquesne University Press
Johns Hopkins University Press
Ohio University Press
Concepts
Science and literature
Ecology
Science and culture
Evolution
Technology and literature
Horticulture
People
Wells, Herbert George
Dickens, Charles
Shelley, Mary Wollstonecraft
Brontë, Anne
Cavendish, Margaret, Duchess of Newcastle
Darwin, Erasmus
Time Periods
19th century
18th century
20th century
20th century, early
Early modern
17th century
Places
England
Great Britain
North Africa
United States
Atlantic Ocean
Middle and Near East
Institutions
Crystal Palace
British Society for Psychical Research
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