Bijsterveld, Karin (Editor)
We cannot simply listen to our urban past. Yet we encounter a rich cultural heritage of city sounds presented in text, radio and film. How can such staged sounds express the changing identities of cities? This volume presents a collection of studies on the staging of Amsterdam, Berlin and London soundscapes in historical documents, radio plays and films, and offers insights into themes such as film sound theory and museum audio guides. In doing so, this book puts contemporary controversies on urban sound in historical perspective, and contextualises iconic presentations of cities. It addresses academics, students, and museum workers alike. With contributions by Jasper Aalbers, Karin Bijsterveld, Carolyn Birdsall, Ross Brown, Andrew Crisell, Andreas Fickers, Annelies Jacobs, Evi Karathanasopoulou, Patricia Pisters, Holger Schulze, Mark M. Smith and Jonathan Sterne.
...MoreReview Scales, Rebecca (2014) Review of "Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage". Technology and Culture (pp. 265-267).
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Levin, Miriam R.;
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Urban Modernity: Cultural Innovation in the Second Industrial Revolution
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Thesis
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The Sanitized City and Other Urban Myths: Fantasies of Risk and Illness in the Twentieth Century Metropolis
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Sam Dolbear;
Esther Leslie;
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Dissonant Waves: Ernst Schoen and Experimental Sound in the 20th century
(/p/isis/citation/CBB335157658/)
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Sandweiss, Eric;
(2014)
“History and Reality Have Become the Same Thing”: City Museums and City Plans in London, 1912--2012
(/p/isis/citation/CBB001421590/)
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Adams, Michael H;
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Lee De Forest: King of Radio, Television, and Film
(/p/isis/citation/CBB001421336/)
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Schmidt Horning, Susan;
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Engineering the Performance: Recording Engineers, Tacit Knowledge and the Art of Controlling Sound
(/p/isis/citation/CBB000651380/)
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Stefan Krebs;
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The Failure of Binaural Stereo: German Sound Engineers and the Introduction of Artificial Head Microphones
(/p/isis/citation/CBB007112913/)
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Sterne, Jonathan;
(2012)
MP3: The Meaning of a Format
(/p/isis/citation/CBB001320969/)
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Smyrek, Volker;
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Die Geschichte des Tonmischpults: die technische Entwicklung der Mischpulte und der Wandel der medialen Produktionsverfahren im Tonstudio von den 1920er-Jahren bis heute
(/p/isis/citation/CBB001551542/)
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Morris, David Z.;
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Cars with the Boom: Identity and Territory in American Postwar Automobile Sound
(/p/isis/citation/CBB001421261/)
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Rubery, Matthew;
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Canned Literature: The Book after Edison
(/p/isis/citation/CBB001201826/)
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Bijsterveld, Karin;
Dijck, José van;
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Sound souvenirs: Audio technologies, memory and cultural practices
(/p/isis/citation/CBB001180422/)
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Porcello, Thomas;
(2004)
Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers
(/p/isis/citation/CBB000651381/)
Article
Boon, Tim;
(2015)
Sounding the Field: Recent Works in Sound Studies
(/p/isis/citation/CBB001552305/)
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Radovac, Lilian;
(2012)
The “War on Noise”: Sound and Space in La Guardia's New York
(/p/isis/citation/CBB001421320/)
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Wijfjes, Huub;
(2014)
Spellbinding and Crooning: Sound Amplification, Radio, and Political Rhetoric in International Comparative Perspective, 1900--1945
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Schäfer, Armin;
(2013)
The Audiovisual Field in Bruce Nauman's Videos
(/p/isis/citation/CBB001320387/)
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Cowan, Douglas E.;
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Sacred Space: The Quest for Transcendence in Science Fiction Film and Television
(/p/isis/citation/CBB001031304/)
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Baughman, James L.;
(2006)
The Republic of Mass Culture: Journalism, Filmmaking, and Broadcasting in America since 1941
(/p/isis/citation/CBB000700560/)
Chapter
Fickers, Andreas;
Kessler, Frank;
(2009)
Narrative topoi in Erfindermythen und technonationalistischer Legendenbildung: Zur Historiographie der Erfindung von Film und Fernsehen
(/p/isis/citation/CBB001033073/)
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