Article ID: CBB000932491

Michelangelo: Anatomy and Its Implication in His Art (2009)

unapi

Hilloowala, Rumy (Author)


Vesalius
Volume: 15
Pages: 19--25
Publication date: 2009
Language: English


Michelangelo's major interest was the Life of the Soul as expressed in the beautiful structure and movement of the human body, which he often called the "mortal veil" of the divine intentions. This study ascertains Michelangelo's interest in and acquisition of the knowledge of human anatomy, the use of small anatomical models to crystallize his concepts into reality and the application of anatomy to his art. Relatively little is known of this interaction between anatomy and art in Michelangelo's life and work.

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Authors & Contributors
Laurenza, Domenico
Bird, Jennifer
Clayton, Martin
Ginn, Sheryl R.
Hilloowala, Rumy
Hub, Berthold
Journals
Nuova Rivista di Storia della Medicina
Journal of the History of the Neurosciences
Nature
Renaissance Quarterly
Vesalius
Micrologus: Nature, Sciences and Medieval Societies
Publishers
L'Erma di Bretschneider
Olschki
Leo S. Olschki
Metropolitan Museum of Art
Pennsylvania State University Press
University of Massachusetts Press
Concepts
Human anatomy
Medicine
Medicine and art
Anatomy
Human body
Science and art
People
Leonardo da Vinci
Michelangelo Buonarroti
Dulaurens, André
Ficino, Marsilio
Raffael
Vasari, Giorgio
Time Periods
Renaissance
16th century
15th century
17th century
Early modern
19th century
Places
Italy
Europe
Florence (Italy)
Bologna (Italy)
England
Pisa (Italy)
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