Article ID: CBB000931149

Paul Klee's Picture-Making and Persona: Tools for Making Invisible Realities Visible (2008)

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Gockel, Bettina (Author)


Studies in History and Philosophy of Science
Volume: 39
Pages: 418--433
Publication date: 2008
Language: English


Publication Date: 2008
Edition Details: Part of a special issue: “Science and the Changing Senses of Reality circa 1900”.

This article is concerned with Klee's belief that `intuition' is indispensable to the artistic and scientific understanding of natural processes and laws of nature. Examples of his pictorial practice are discussed which derive from the as yet for the most part unpublished and little studied writings from the period at the Bauhaus. Taking the methodologically diverse literature about Klee into account, this paper tries to understand Klee's `scientism' in the cultural and theoretical context of his time.

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Article Sibum, H. Otto (2008) Science and the Changing Senses of Reality circa 1900. Studies in History and Philosophy of Science (p. 295). unapi

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Authors & Contributors
Abraham, Tara H.
Acker, Wouter Van
Albury, W. R.
Bowler, Peter J.
Cassou-Noguès, Pierre
Curtis, Scott
Journals
Biology and Philosophy
Nuncius: Annali di Storia della Scienza
Perspectives on Science
Foundations of Science
History and Anthropology
History and Philosophy of the Life Sciences
Publishers
Columbia University Press
Johannes M. Mayer
Princeton University Press
University of Nevada Press
Concepts
Visual representation; visual communication
Methodology of science; scientific method
Science and culture
Intuition
Mathematics
Philosophy of science
People
Klee, Paul
Leonardo da Vinci
Aristotle
Beuys, Joseph
Cavaillès, Jean
Geddes, Patrick
Time Periods
20th century, early
19th century
20th century
Renaissance
20th century, late
Places
Germany
Italy
New Zealand
Spain
Turkey
Institutions
Muséum National d'Histoire Naturelle, Paris
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