Book Mark Goble (2025)
Downtime: The Twentieth Century in Slow Motion. (/p/isis/citation/CBB738067389/) unapi

Book Brian Jacobson (2025)
The Cinema of Extractions: Film Materials and Their Forms. (/p/isis/citation/CBB911970733/) unapi

Article Mehitabel Glenhaber; Hamsini Sridharan (2025)
Precog visions: Predicting the future with the Minority Report sociotechnical imaginary. Social Studies of Science (pp. 37-61). (/p/isis/citation/CBB323810934/) unapi

Book Patrick Keating (2024)
Film Noir and the Arts of Lighting. (/p/isis/citation/CBB494276994/) unapi

Book Sarah Street; Joshua Yumibe (2024)
Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB044843417/) unapi

Chapter Elena Gipponi; Sarah Street; Joshua Yumibe (2024)
Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB088570012/) unapi

Chapter Linda Chen Zhang; Sarah Street; Joshua Yumibe (2024)
Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB093492024/) unapi

Chapter KAMALIKA SANYAL; Sarah Street; Joshua Yumibe (2024)
“We’re Not in Sweden Anymore”: Technicolor’s Brief Venture in Swedish Cinema. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB157251518/) unapi

Chapter PHILIP CAVENDISH; Sarah Street; Joshua Yumibe (2024)
“Risk versus Conformity”: Soviet Color Film, 1956–1982. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB246470522/) unapi

Chapter Stefan Soloman; Kathryn Millard; Sarah Street; et al. (2024)
All about Landscape: The Shift to Color in Australian Film at Midcentury. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB304982522/) unapi

Chapter William Carroll; Sarah Street; Joshua Yumibe (2024)
The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957–1963. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB342593664/) unapi

Chapter SARAH STREET; JOSHUA YUMIBE; Sarah Street; et al. (2024)
Introduction. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB401447057/) unapi

Chapter RANJANI MA ZUMDAR; Sarah Street; Joshua Yumibe (2024)
Eastman Color in 1960s India. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB615100214/) unapi

Chapter Sarah Street; Joshua Yumibe (2024)
British Film Criticism and Global Color. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB652201703/) unapi

Chapter JOSEPHINE DIECKE; Sarah Street; Joshua Yumibe (2024)
“Keeping Your Enemies Closer”: Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB799825452/) unapi

Chapter GREGORY ZINMAN; Sarah Street; Joshua Yumibe (2024)
Moving Monochromatics: Paul Sharits and Color Field Aesthetics in a Global Context. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB806848942/) unapi

Chapter KIRSTY SINCLAIR DOOTSON; Sarah Street; Joshua Yumibe (2024)
Mapping the Laboratory: Technicolor across Asia and Europe. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB923334921/) unapi

Chapter Rafael de Luna Freire; Sarah Street; Joshua Yumibe (2024)
Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB129146115/) unapi

Chapter Joshua Yumibe; Sarah Street (2024)
On Vivid Colors and Afrotropes in African and Diasporic Cinemas. In: Global Film Color: The Monopack Revolution at Midcentury. (/p/isis/citation/CBB981820002/) unapi

Article Seth Barry Watter (2024)
The discovery of synchrony: By means of the projector as a scientific instrument. History of the Human Sciences (pp. 138-165). (/p/isis/citation/CBB878286116/) unapi