Article ID: CBB980709442

Immagini e volti dello stage, simbolo e topos del mondo che diviene (2023)

unapi

In the 1500s, people like Giordano Bruno and Giova Battista della Porta were living in the same city and were exposed to the same intellectual influences, which inevitably meant that some of their theories had a lot in common: this is the case with Magic. In fact, the two books written by these authors on the subject have the same title: De Magia. Although each author presents new and different ideas, the overriding concept in both is that Magic is to be interpreted as the Science of the sensible. Della Porta develops a kind of ante-litteram encyclopedia, complete with illustrations, which have nothing to do with classic magic rituals to ward off evil or to predict the future. Bruno, on the other hand, develops a whole new way of thinking, because he immediately accepts the Copernican revolution, and uses it as his starting point for a critique of Aristotle; and the balanced view presented in De Magia seems very relevant today. This article compares these two visions, key contributions to sixteenth century thought.

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Authors & Contributors
Trabucco, Oreste
Balbiani, Laura
Bianchi, Lorenzo
Clucas, Stephen
Della Porta, Giovan Battista
Gargano, Mauro
Journals
Galilæana: Journal of Galilean Studies
Ambix: Journal of the Society for the History of Alchemy and Chemistry
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
Journal of Astronomical History and Heritage
Studi dellaportiani
Publishers
Ashgate
Ashgate, Variorum
Brill
Edizioni Scientifiche Italiane
Firenze University Press
Gütersloher Verlagshaus
Concepts
Magic
Astrology
Science and religion
Occult sciences
Natural magic
Philosophy
People
Della Porta, Giovan Battista
Bruno, Giordano
Galilei, Galileo
Alvensleben, Gebhardt Johann von
Anthony, Francis
Archimedes
Time Periods
16th century
17th century
Renaissance
15th century
Early modern
Places
Italy
Naples (Italy)
Europe
England
Institutions
Accademia Nazionale dei Lincei (Rome)
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