Lindsay, Debra J. (Author)
"Maria Martin (1796-1863) was an evangelical Lutheran from Charleston, South Carolina, who became an accomplished painter within months of meeting John James Audubon. Martin met Audubon through her brother-in-law, Reverend John Bachman, who befriended Audubon while passing through Charleston on route to Florida where he expected to find new avian species. Martin was an amateur artist, but by the time Audubon left, she had familiarized herself with his style of drawing. Six months after their initial meeting, her background botanicals were deemed good enough to embellish Audubon's exquisite bird paintings. Martin's botanicals and insects appeared in volumes two and four of The Birds of America (1830-1838). She painted snakes for John Edwards Holbrook's North American Herpetology (1842) and assisted in drafting the descriptive taxonomies prepared by John Bachman-who later became her husband in 1848 following the death of her older sister-for The Viviparous Quadrupeds of North America (1846-1854). Until now, her contributions have been unknown to all but the most astute students of natural history and art history and a close circle of family and friends. "--Publisher's description.
...MoreReview Gregory Nobles (2019) Review of "Maria Martin's World: Art & Science, Faith & Family in Audubon's America". Journal of Southern History (pp. 155-156).
Review Gayle R. Davis (2019) Review of "Maria Martin's World: Art & Science, Faith & Family in Audubon's America". Journal of American History (pp. 1012-1013).
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Audubon on Louisiana: Selected Writings of John James Audubon
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Book
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(2008)
A Summer of Birds: John James Audubon at Oakley House
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Book
Chalmers, J.;
(2003)
Audubon in Edinburgh: The Scottish Associates of John James Audubon
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Article
Nobles, Gregory H.;
(2003)
Ornithology and Enterprise: Making and Marketing John James Audubon's “The Birds of America”
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Book
Charlotte Sleigh;
(2017)
The Paper Zoo: 500 Years of Animals in Art
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Article
S. B. Cahalan;
J. W. Dean;
(2018)
The Manuscript Works of S. Fred Prince (1857–1949)
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Chapter
Nemerov, Alexander;
(2011)
A World Too Much: Democracy and Natural History in Godman and Audubon
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Book
Boehme, Sarah E.;
(2000)
John James Audubon in the West: The Last Expedition: Mammals of North America
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Article
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(2014)
“To Do the Cape”: Samuel Daniell's Representation of African Peoples during the First British Occupation of the Cape
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Article
Winearls, Joan;
(2008)
The Travails of an Early-Twentieth-Century Wildlife Illustrator in North America
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Article
Peter B. Logan;
Martin A. Sidor;
(2021)
John James Audubon's Overlooked “Great Work”: His Ornithological Biography
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Thesis
Iannini, Christopher Paul;
(2004)
Fatal Revolutions: United States Natural Histories of the Greater Caribbean, 1707--1856
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Book
Hart-Davis, Duff;
(2004)
Audubon's Elephant: America's Greatest Naturalist and the Making of the Birds of America
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Essay Review
Evan Hepler-Smith;
(2017)
Grasping the Technical Image
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Article
Christie, Ann;
(2011)
A Taste for Seaweed: William Kilburn's Late Eighteenth-Century Designs for Printed Cottons
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Hans-Jörg Wilke;
(2018)
Die Geschichte der Tierillustration in Deutschland 1850–1950
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Article
Abaydulova, Anna G.;
(2011)
On the History of Creation of “Zoographia Ross-Asiatica” Illustrations: Unpublished Paintings from SPbB ARAS Vault
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Nancy Rose Marshall;
(2021)
Victorian Science and Imagery: Representation and Knowledge in Nineteenth Century Visual Culture
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Book
Keller, Susanne B.;
(2006)
Naturgewalt im Bild: Strategien visueller Naturaneignung in Kunst und Wissenschaft, 1750--1830
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Book
Douglas, Kirsty;
(2010)
Pictures of Time Beneath: Science, Heritage and the Uses of the Deep Past
(/isis/citation/CBB001033602/)
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