Potts, John (Author)
Nigel Helyer (Author)
This book explores collaboration between artists and scientists and examines the ways in which scientific data and research findings can be communicated, translated and transformed using the techniques of contemporary art and information technology. Contemporary art forms—including installation, sculpture, painting, computer-based art, Internet art and interactive electronic artworks—are able to provide new and creative outlets, with expanded audiences, for scientific research. The book, which features 75 illustrations of works created as a result of art–science collaboration between scientists and artists, is important in the field because it presents a thorough account of the collaboration through the eyes of a leading creative practitioner and a leading cultural theorist. It contains a wide range of in-detail examples of successful collaborative works that illustrate the breadth and depth of contemporary interdisciplinary creative-research approaches.
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Book
Edwards, David;
(2008)
Artscience: Creativity in the Post-Google Generation
(/isis/citation/CBB001020029/)
Article
Arata, Luis O.;
(2014)
Reflections on Modelling Across the Arts and Sciences
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Article
Jaume Sastre‐Juan;
Jaume Valentines‐Álvarez;
(2019)
Fun and Fear: The Banalization of Nuclear Technologies Through Display
(/isis/citation/CBB152621793/)
Book
Christopher Gainor;
Michele Ostovar;
(2021)
Not Yet Imagined: A Study of Hubble Space Telescope Operations
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Article
Brittany Myburgh;
(2022)
Space-Time and Utopia: Notes on artistic engagement with physics from Cubism to Laszlo Moholy-Nagy
(/isis/citation/CBB368804279/)
Article
Jussi Parikka;
(2020)
A Recursive Web of Models: Studio Tomás Saraceno's Working Objects
(/isis/citation/CBB170770213/)
Article
Kelly Krause;
(2016)
A Framework for Visual Communication at Nature
(/isis/citation/CBB025509663/)
Article
Sara Moreno-Tarín;
Tatiana Pina;
Martí Domínguez;
(2021)
Worlds apart, drawn together: Bears, penguins and biodiversity in climate change cartoons
(/isis/citation/CBB022827263/)
Book
Jack Challoner;
(2022)
Seeing Science: The Art of Making the Invisible Visible
(/isis/citation/CBB384641457/)
Article
Norberto Serpente;
(2016)
Justifying molecular images in cell biology textbooks: From constructions to primary data
(/isis/citation/CBB216748135/)
Article
Edwards, Paul N.;
Mayernik, Matthew S.;
Batcheller, Archer L.;
Bowker, Geoffrey C.;
Borgman, Christine L.;
(October 2011)
Science friction: Data, metadata, and collaboration
(/isis/citation/CBB261989499/)
Book
Benny Shilo;
(2014)
Life's Blueprint: The Science and Art of Embryo Creation
(/isis/citation/CBB088969067/)
Book
Dieter Blume;
Mechthild Haffner;
Wolfgang Metzger;
(2016)
Sternbilder des Mittelalters und der Renaissance
(/isis/citation/CBB701681858/)
Article
Emily Zinger;
(2021)
‘Just put it online’: The Taylor White project as a digitization case study
(/isis/citation/CBB185987529/)
Book
Annamaria Carusi;
(2015)
Visualization in the Age of Computerization
(/isis/citation/CBB377898338/)
Book
Michael John Gorman;
(2020)
Idea Colliders: The Future of Science Museums
(/isis/citation/CBB631377927/)
Article
Jane Calvery;
Pablo Schyfter;
(April 2017)
What can science and technology studies learn from art and design? Reflections on ‘Synthetic Aesthetics’
(/isis/citation/CBB521887641/)
Chapter
Leidloff, Gabriele;
Singer, Wolf;
(2008)
Neurowissenschaft und zeitgenössische Kunst. Ein Interview
(/isis/citation/CBB001024357/)
Article
Summers, Dennis;
(2013)
A Personal Art/Science Connection: From the Explicatory to the Evocative
(/isis/citation/CBB001320654/)
Article
Rachel Hill;
(2023)
Cover Essay: Stamping Soviet Cosmonauts, Craft, and Cosmos
(/isis/citation/CBB466985931/)
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