Potts, John (Author)
Nigel Helyer (Author)
This book explores collaboration between artists and scientists and examines the ways in which scientific data and research findings can be communicated, translated and transformed using the techniques of contemporary art and information technology. Contemporary art forms—including installation, sculpture, painting, computer-based art, Internet art and interactive electronic artworks—are able to provide new and creative outlets, with expanded audiences, for scientific research. The book, which features 75 illustrations of works created as a result of art–science collaboration between scientists and artists, is important in the field because it presents a thorough account of the collaboration through the eyes of a leading creative practitioner and a leading cultural theorist. It contains a wide range of in-detail examples of successful collaborative works that illustrate the breadth and depth of contemporary interdisciplinary creative-research approaches.
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Book
Edwards, David;
(2008)
Artscience: Creativity in the Post-Google Generation
(/isis/citation/CBB001020029/)
Article
Arata, Luis O.;
(2014)
Reflections on Modelling Across the Arts and Sciences
(/isis/citation/CBB001201228/)
Article
Jaume Sastre‐Juan;
Jaume Valentines‐Álvarez;
(2019)
Fun and Fear: The Banalization of Nuclear Technologies Through Display
(/isis/citation/CBB152621793/)
Article
Rieko Hayakawa;
Robert Underwood;
Jennifer Anson;
(2023)
The Modern History of ICT in Oceania—PEACESAT and USPNet
(/isis/citation/CBB257586417/)
Article
Brittany Myburgh;
(2022)
Space-Time and Utopia: Notes on artistic engagement with physics from Cubism to Laszlo Moholy-Nagy
(/isis/citation/CBB368804279/)
Article
Edwards, Paul N.;
Mayernik, Matthew S.;
Batcheller, Archer L.;
Bowker, Geoffrey C.;
Borgman, Christine L.;
(October 2011)
Science friction: Data, metadata, and collaboration
(/isis/citation/CBB261989499/)
Article
Jussi Parikka;
(2020)
A Recursive Web of Models: Studio Tomás Saraceno's Working Objects
(/isis/citation/CBB170770213/)
Book
Christopher Gainor;
Michele Ostovar;
(2021)
Not Yet Imagined: A Study of Hubble Space Telescope Operations
(/isis/citation/CBB744617492/)
Article
Kelly Krause;
(2016)
A Framework for Visual Communication at Nature
(/isis/citation/CBB025509663/)
Article
Sara Moreno-Tarín;
Tatiana Pina;
Martí Domínguez;
(2021)
Worlds apart, drawn together: Bears, penguins and biodiversity in climate change cartoons
(/isis/citation/CBB022827263/)
Book
Jack Challoner;
(2022)
Seeing Science: The Art of Making the Invisible Visible
(/isis/citation/CBB384641457/)
Book
Dieter Blume;
Mechthild Haffner;
Wolfgang Metzger;
(2016)
Sternbilder des Mittelalters und der Renaissance
(/isis/citation/CBB701681858/)
Article
Jane Calvery;
Pablo Schyfter;
(April 2017)
What can science and technology studies learn from art and design? Reflections on ‘Synthetic Aesthetics’
(/isis/citation/CBB521887641/)
Book
Michael John Gorman;
(2020)
Idea Colliders: The Future of Science Museums
(/isis/citation/CBB631377927/)
Book
François Quiviger;
(2019)
Leonardo da Vinci: Self, Art and Nature
(/isis/citation/CBB598010678/)
Article
Emily Zinger;
(2021)
‘Just put it online’: The Taylor White project as a digitization case study
(/isis/citation/CBB185987529/)
Book
Annamaria Carusi;
(2015)
Visualization in the Age of Computerization
(/isis/citation/CBB377898338/)
Book
Dietmar Offenhuber;
(2017)
Waste Is Information: Infrastructure Legibility and Governance
(/isis/citation/CBB015176993/)
Book
Miller, Arthur I.;
(2000)
Insights of Genius: Imagery and Creativity in Science and Art
(/isis/citation/CBB000110897/)
Article
Norberto Serpente;
(2016)
Justifying molecular images in cell biology textbooks: From constructions to primary data
(/isis/citation/CBB216748135/)
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