Article ID: CBB951938638

Deep Tunnels and Burning Flues: The Unexpected Political Drama in 1930s Industrial Production Prints (2002)

unapi

Helen Langa (Author)


IA. The Journal of the Society for Industrial Archeology
Volume: 28
Issue: 1
Pages: 43-58


Publication Date: 2002
Edition Details: THEME ISSUE: IA IN ART
Language: English

During the 1930s, printmakers in New York City created numerous images of industrial sites, particularly in coal mining and steel producing communities. Although most of the artists had leftist sympathies, their works ranged from early, obvious critiques of labor exploitation to seemingly affirmative scenes of cooperative workers and thriving industrial production at the end of the decade. These prints have often been praised as recording the centrality of industrial development during the Depression decade. This article suggests that to fully understand such images, they must be read more carefully in relation to current sociohistorical developments, a process that will reveal the deeply politicized meanings they could have carried for contemporary viewers.

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Associated with

Article Betsy Fahlman (2002) Introduction: The Art of American Industry. IA. The Journal of the Society for Industrial Archeology (pp. 5-10). unapi

Citation URI
https://data.isiscb.org/isis/citation/CBB951938638/

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Authors & Contributors
John H. Kopmeier
Charles A. Parrott
David B. Landon
Susan K. Appel
James R. Kieselburg
Anne Cannon Palumbo
Concepts
Industrial archaeology
Buildings, Industrial
Technology and art
Textile Mills
Architecture
Artists
Time Periods
20th century
19th century
20th century, early
18th century
17th century
Places
United States
New Bedford, Mass
Tooele, Utah
Los Angeles (California)
Connecticut (U.S.)
Michigan (U.S.)
Institutions
Delaware and Hudson Railroad Corporation
U.S. Dept. of the Interior, National Park Service, Historic American Buildings Survey/Historic American Engineering Record
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