Article ID: CBB940624859

Latour and Balloons: Gaïa Global Circus and the Theater of Climate Change (2020)

unapi

Gaïa Global Circus, a theatrical performance that interrogates the contemporary climate change crisis, is the product of a collaboration between Bruno Latour and the playwright Pierre Daubigny that emerged from his activities with SPEAP, the Sciences Po—Experimentation in Art and Politics program. This review essay analyzes the September 22, 2014, performance of the play in New York in relation to Latour's lectures on the Anthropocene, Facing Gaia: Eight Lectures on the New Climatic Regime (2017), as well as the fuller range of publicfacing scholarship Latour has been involved with through SPEAP and museum collaborations in recent years. This essay also situates Gaïa Global Circus in the context of activist environmental theater, from Bread & Puppet Theater's Our Domestic Resurrection Circus to Arm-of-the-Sea Theater's eco-spectacles about the Hudson River watershed.

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Authors & Contributors
Byrnes, W. Malcolm
Felski, Rita
Nils Randlev Hundebøl
Rens van Munster
Helene Lorenz
Muecke, Stephen
Journals
Journal of the History of the Behavioral Sciences
Environmental History
Journal of African American Studies
Technology and Culture
Social Studies of Science
Osiris: A Research Journal Devoted to the History of Science and Its Cultural Influences
Publishers
University of Chicago Press
Rutgers University Press
Reaktion Books
Polity Press
Oxford University Press
MIT Press
Concepts
Climate change
Environmentalism
Science and culture
Disasters; catastrophes
Environmental sciences
Climate and climatology
People
Latour, Bruno
Bacon, Francis, 1st Baron Verulam
Time Periods
21st century
20th century, late
20th century
Gilded Age (1870s-1900)
19th century
Places
United States
New Orleans (Louisiana, U.S.)
India
Institutions
Electric Power Research Institute (EPRI)
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