Article ID: CBB917990331

Hysteria in Music and on the Stage (2019)

unapi

At the turn of the 19th century, the theater expressed and often anticipated the tensions that animated contemporary neuropsychiatric research, and at the start of the 20th century the concepts of neurosis, hypnosis and hysteria burst onto theatrical stages in dramaturgic and musical creations. Hugo von Hofmannsthals Elektra of 1903 (later set to music by Richard Strauss), whose heroine is stigmatized from the very start as a case of hysteria is an emblematic example.

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Authors & Contributors
Micale, Mark S.
Ballestriero, Roberta
Ahrén, Eva
Kümmel, Werner Friedrich
Møllerhøj, Jette
Paul, Robert A.
Journals
Medicina nei Secoli - Arte e Scienza
History of Psychiatry
Journal of the History of the Behavioral Sciences
Medicina Historica
Publishers
L'Erma di Bretschneider
Carocci Editore
McGill-Queen's University Press
Oxford University Press
Stanford University Press
Emory University
Concepts
Science and art
Medicine and art
Medicine
Hysteria
Psychiatry
Theaters
People
Charcot, Jean Martin
Freud, Sigmund
Mozart, Wolfang Amadeus
Nietzsche, Friedrich Wilhelm
Time Periods
19th century
20th century, early
18th century
Renaissance
Early modern
17th century
Places
Europe
France
Great Britain
Mexico
Denmark
Italy
Institutions
Salpêtrière, Paris
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