Book ID: CBB910322068

Savage Preservation: The Ethnographic Origins of Modern Media Technology (2014)

unapi

During the late nineteenth and early twentieth centuries, writers and anthropologists believed that the world’s primitive races were on the brink of extinction. They also believed that films, photographs, and phonographic recordings—modern media in their technological infancy—could capture lasting relics of primitive life before it vanished into obscurity. For many Americans, the promise of media and the problem of race were inextricably linked. While professional ethnologists tried out early recording machines to preserve the sounds of authentic indigenous cultures, photographers and filmmakers hauled newfangled equipment into remote corners of the globe to document rituals and scenes that seemed destined to vanish forever. In Savage Preservation, Brian Hochman shows how widespread interest in recording vanishing races and disappearing cultures influenced audiovisual innovation, experimentation, and use in the United States. Drawing extensively on seldom-seen archival sources—from phonetic alphabets and sign language drawings to wax cylinder recordings and early color photographs—Hochman uncovers the parallel histories of ethnography and technology in the turn-of-the-century period. While conventional wisdom suggests that media technologies work mostly to produce ideas about race, Savage Preservation reveals that the reverse has also been true. During this period, popular conceptions of race constructed the authority of new media technologies as reliable archives of the real. Brimming with nuanced critical insights and unexpected historical connections, Savage Preservation offers a new model for thinking about race and media in the American context—and a fresh take on a period of accelerated technological change that closely resembles our own.

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Reviewed By

Review Hooks (January 2019) Review of "Savage Preservation: The Ethnographic Origins of Modern Media Technology". Technology and Culture (pp. 328-330). unapi

Review Susan Bernardin (2016) Review of "Savage Preservation: The Ethnographic Origins of Modern Media Technology". Journal of American History (pp. 211-212). unapi

Citation URI
https://data.isiscb.org/isis/citation/CBB910322068/

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Authors & Contributors
Staum, Martin S.
Rogers, Molly
Ma, Shaoling
Link, Adrianna
Wood, Susan Marie
Blight, David W.
Journals
Visual Anthropology
Journal of the History of the Behavioral Sciences
Journal of the History of Ideas
History and Anthropology
Historical Journal
História, Ciências, Saúde---Manguinhos
Publishers
Yale University Press
Duke University Press
University of California, Riverside
University of Nebraska Press
University of Chicago Press
The University of Arizona Press
Concepts
Anthropology
Ethnography
Photography
Science and race
Visual representation; visual communication
Technology and race
People
Nina Rodrigues, Raymundo
Latham, R. G. (Robert Gordon)
Kroeber, Alfred Louis
Herskovits, Melville J.
Time Periods
19th century
20th century
20th century, early
20th century, late
21st century
18th century
Places
United States
France
Australia
Great Britain
Bahia (Brazil)
New Guinea
Institutions
National Anthropological Film Center (U.S.)
Smithsonian Institution
Crystal Palace
University of California
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