Birth figures, or print images of the fetus in the uterus, were immensely popular in midwifery and surgical books in Europe in the sixteenth and seventeenth centuries. But despite their central role in the visual culture of pregnancy and childbirth during this period, very little critical attention has been paid to them. This article seeks to address this dearth by examining birth figures in their cultural context and exploring the various ways in which they may have been used and interpreted by early modern viewers. I argue that, through this process of exploring and contextualising early modern birth figures, we can gain a richer and more nuanced understanding of the early modern body, how it was visualised, understood and treated.
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