The contribution analyzes how Boethius elaborates the concepts of "vis" or "facultas armonicae" (power of the harmonics) and "vis armonica" (harmonic power), both derived from Ptolemy’s "dynamis harmonike," namely, the power to grasp the distinctions between high and low sounds and produce an immediate judgment of pleasure or distrust. The essay aims to demonstrate that this concept provides the theoretical equipment for the study of the Boethian second genus of music, the "musica humana," and consequently that Boethius’ famous threefold division of music ("instrumentalis," "humana" and "mundana") implies a special methodological approach for each area. In particular, with the unfinished book 5 of the "De institutione musica," Boethius turns to the practical usefulness of music, and shifts from a pure mathematical science, the "instrumentalis," to an intermediate one, the "humana," which involves also ethics and physics. For Boethius, this second kind of music concerns human wellness and good government, and its knowledge is particularly recommended to rulers and those who have political responsibilities.
...More
Chapter
Danilo Capecchi;
(2016)
Epistemology of Harmonics
(/isis/citation/CBB603210619/)
Article
Siegert, Bernhard;
(2013)
Mineral Sound or Missing Fundamental: Cultural History as Signal Analysis
(/isis/citation/CBB001320385/)
Chapter
Berns, Jörg Jochen;
(2008)
Instrumental Sound and Ruling Spaces of Resonance in the Early Modern Period: On the Acoustic Setting of the Princely potestas Claims within a Ceremonial Frame
(/isis/citation/CBB000831255/)
Chapter
Restle, Conny;
(2008)
Organology: The Study of Musical Instruments in the 17th Century
(/isis/citation/CBB000831243/)
Book
Patrizio Barbieri;
(2023)
Tuning and Temperament: Practice vs Science. 1450-2020
(/isis/citation/CBB826943267/)
Article
Fabio Bellissima;
(2011)
L'anamorfosi logaritmica degli intervalli pitagorici
(/isis/citation/CBB342675550/)
Article
Carla Bromberg;
Ana M. Alfonso-Goldfarb;
(2016)
Music and Mathematics: A Case Study in the History of Science
(/isis/citation/CBB854514897/)
Article
Creese, David;
(2012)
Rhetorical Uses of Mathematical Harmonics in Philo and Plutarch
(/isis/citation/CBB001221683/)
Article
Manuel Bertolini;
(2019)
Campanella, musica e storia culturale nel Rinascimento
(/isis/citation/CBB144018218/)
Article
Brenno Boccadoro;
Paolo Gozza;
(2019)
Ripensare l'umanesimo musicale
(/isis/citation/CBB342327129/)
Book
Barker, Andrew;
(2007)
The Science of Harmonics in Classical Greece
(/isis/citation/CBB000773347/)
Book
Jacomien Prins;
Maude Vanhaelen;
(2017)
Sing Aloud Harmonious Spheres: Renaissance Conceptions of Cosmic Harmony
(/isis/citation/CBB071701613/)
Article
Aldo Brancacci;
(2013)
Musica e filosofia nel I libro del "De musica" di Aristide Quintiliano
(/isis/citation/CBB628791731/)
Article
Brenno Boccadoro;
(2020)
Saturne et la polyphonie. L’humeur noire de la musique au XVIème siècle
(/isis/citation/CBB879935115/)
Article
Jean Wirth;
(2017)
La notion médiévale d’harmonie et ses applications artistiques
(/isis/citation/CBB491056769/)
Thesis
Desmond, Karen;
(2009)
Behind the Mirror: Revealing the Contexts of Jacobus's Speculum Musicae
(/isis/citation/CBB001560793/)
Book
Andrew Hicks;
(2017)
Composing the World: Harmony in the Medieval Platonic Cosmos
(/isis/citation/CBB778475268/)
Article
Fabio Bellissima;
Maria Silvestrini;
(2017)
The «Mathematical Possibilities» of the Music Concept of Mode from Ptolemy to Messiaen
(/isis/citation/CBB413487512/)
Article
Satyanarayana, R.;
(2004)
Vīṇā Keyboards---Origin
(/isis/citation/CBB000600483/)
Article
Fabio Bellissima;
(2014)
Arithmetic, Geometric and Harmonic Means in Music Theory
(/isis/citation/CBB139505675/)
Be the first to comment!