Article ID: CBB887924097

Measuring the Invisible: A Process among Arithmetic, Geometry and Music (2015)

unapi

Abstract: The parallel between music and mathematics abounded in sixteenth-century studies. Referring to the concept of proportions, it was then assumed that theorists considered audible and visible proportions to be analogous. However, when approaching the treatises and focusing on how those processes of mensuration took place, we realise that there were differences concerning the very notion of quantifying. In this paper, we would like to identify the roles played by arithmetic and geometry in the musical tradition through the notion of quantification, departing from the definition of the musical interval given by the most important theorist of the sixteenth century, Gioseffo Zarlino, and identifying the core of musical debates within the realm of mathematics. Keywords: Mathematics; Music; Optics; Geometry; Arithmetic; Measuring

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Authors & Contributors
Bellissima, Fabio
Marco Andreatta
Allen, Valerie
Gunthild Peters
Boccadoro, Brenno
Wuidar, Laurence
Journals
Mefisto: Rivista di medicina, filosofia, storia
Synthese
Nuncius: Annali di Storia della Scienza
Journal of the Acoustical Society of America
Journal of Medieval and Early Modern Studies
Isis: International Review Devoted to the History of Science and Its Cultural Influences
Publishers
Oxford University Press
Les Belles Lettres
Kyoritsushuppan
Il Mulino
Franz Steiner Verlag
Brepols Publishers
Concepts
Mathematics
Geometry
Music
Measurement
Music theory
Harmony (music theory)
People
Zarlino, Gioseffo
Archimedes
Galilei, Vincenzo
Euclid
Vicentino, Nicola
Stifel, Michael
Time Periods
16th century
Renaissance
15th century
17th century
Medieval
Ancient
Places
Italy
Nuremberg (Germany)
Spain
Greece
Germany
Europe
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