Article ID: CBB887514621

Real Women, Normal Curves, and the Making of the American Fashion Mannequin, 1932–1946 (2020)

unapi

In the 1930s, American mannequin designers promoted a realistic style of mannequin modeled from the physical features of fashionably beautiful white women. Lester Gaba, an enterprising mannequin designer, argued that realism in display was needed to counteract the bizarre theatrics of pretentious surrealist-inspired window displays of the 1930s and early 1940s. In this period characterized by anxiety and uncertainty, the glamorous, lifelike mannequin became an active participant in American consumer culture. This article contextualizes that phenomenon, claiming that real and ideal bodies were at odds with one another in fashion discourse. Meanwhile, display professionals, fashion practitioners, and the mannequins themselves played crucial roles in articulating and reinforcing narrow understandings of beauty, while conflating norms and ideals in universal terms.

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Citation URI
https://data.isiscb.org/isis/citation/CBB887514621/

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Authors & Contributors
Wosk, Julie
Moore, William D.
Daphne Spain
Carlino, Philip
Bulliet, William M.
Sichel, Kim
Journals
Journal of Design History
Technology and Culture
Science, Technology and Human Values
Pharmacy in History
Journal of Economic History
Historical Journal of Film, Radio, and Television
Publishers
University of Minnesota Press
University of North Carolina Press
University of Michigan Press
University of Chicago Press
Johns Hopkins University Press
Boston University
Concepts
Technology and society
Design
Consumers and consumerism
Women and technology
Technology and culture
Urban planning
Time Periods
20th century, early
20th century
21st century
19th century
20th century, late
Places
United States
St. Louis (Missouri, U.S.)
Missouri (U.S.)
Americas
Institutions
United States. Food and Drug Administration (USFDA)
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