Article ID: CBB850713709

Luce, colori e coloranti nella chimica del Settecento (2013)

unapi

Unlike in modern physics, the “secondary qualities” (John Locke) of bodies – colour, smell, taste, sound, heat, cold, expansivity, inflammability, etc. – played a very important role in chemical theory, with regard to the knowledge of natural substances and their transformations. Colour, in particular, performed the task of an actual “principle of identification” of both the former and the latter. This happened within multiple and diverse viewpoints related to various chemical and physical theories, but also to artistic and manufacturing practices of a chemical kind (dyeing, painting, glass-work, metallurgy, etc.). Furthermore, the problem of the theoretical foundations of the perceivable qualities of bodies was central also in the eighteenth-century debate between the advocates of phlogistic chemistry and those of pneumatic chemistry.

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Authors & Contributors
Lowengard, Sarah
Giudice, Franco
Krishna Vijaya, Gopi
Kuehni, Rolf
Shamey, Renzo
Mueller, Olaf L.
Journals
Perspectives on Science
Sudhoffs Archiv: Zeitschrift fuer Wissenschaftsgeschichte
Journal of Design History
Journal for General Philosophy of Science
Historia Scientiarum: International Journal of the History of Science Society of Japan
Endeavour: Review of the Progress of Science
Publishers
Pavia University Press
Springer International Publishing
V&R Unipress
IESNA
Adapt
Concepts
Light
Color theory
Physics
Chemistry
Science and art
Optics
People
Newton, Isaac
Goethe, Johann Wolfgang von
Macquer, Pierre Joseph
Dietrich von Freiberg
Arago, François Jean Dominique
Semper, Gottfried
Time Periods
18th century
19th century
17th century
20th century
Early modern
Renaissance
Places
France
Italy
Germany
British Isles
Great Britain
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