Article Dannenberg, Roger B.; (2014)
Human-Computer Music Performance: A Brief History and Future Prospects (/isis/citation/CBB001201085/)

Chapter Michael Jarrett; (2016)
The Self-Effacing Producer: Absence Summons Presence (/isis/citation/CBB712436826/)

Chapter Simon Frith; Simon Zagorski-Thomas; (2016)
Introduction (/isis/citation/CBB542549707/)

Chapter Andrew Blake; (2016)
Simulating the Ideal Performance: Suvi Raj Grubb and Classical Music Production (/isis/citation/CBB162963806/)

Article Hans-Joachim Braun; (2014)
All Ears: ICOHTEC, Sound and Music (/isis/citation/CBB739542616/)

Chapter (2016)
Interlude 2: Comments and Commentaries by Industry Professionals and Producers (/isis/citation/CBB088871049/)

Chapter Simon Frith; (2016)
The Place of the Producer in the Discourse of Rock (/isis/citation/CBB260389967/)

Book Lysloff, René T. A.; Gay, Leslie C.; (2003)
Music and technoculture (/isis/citation/CBB001181287/)

Book Sinnreich, Aram; (2010)
Mashed Up: Music, Technology, and the Rise of Configurable Culture (/isis/citation/CBB001035566/)

Chapter Susan Schmidt Horning; (2016)
The Sounds of Space: Studio as Instrument in the Era of High Fidelity (/isis/citation/CBB713009477/)

Chapter (2016)
Interlude 1: Comments and Commentaries by Industry Professionals and Producers (/isis/citation/CBB513788686/)

Chapter Jan Butler; (2016)
The Beach Boys’ Pet Sounds and the Musicology of Record Production (/isis/citation/CBB772351228/)

Chapter Alan Williams; (2016)
‘I’m Not Hearing What You’re Hearing’: The Conflict and Connection of Headphone Mixes and Multiple Audioscapes (/isis/citation/CBB107237439/)

Book Simon Frith; Simon Zagorski-Thomas; (2016)
The Art of Record Production: An Introductory Reader for a New Academic Field (/isis/citation/CBB558340383/)

Chapter (2016)
Interlude 3: Comments and Commentaries by Industry Professionals and Producers (/isis/citation/CBB615853546/)

Chapter Allan Moore; (2016)
Beyond a Musicology of Production (/isis/citation/CBB142923970/)

Book Nick Prior; (2018)
Popular Music, Digital Technology and Society (/isis/citation/CBB015467493/)

Chapter George Brock-Nannestad; (2016)
The Lacquer Disc for Immediate Playback: Professional Recording and Home Recording from the 1920s to the 1950s (/isis/citation/CBB419674176/)

Book Sterne, Jonathan; (2012)
MP3: The Meaning of a Format (/isis/citation/CBB001320969/)

Book O'Hara, Kenton; Brown, Barry; (2006)
Consuming music together: Social and collaborative aspects of music consumption technologies (/isis/citation/CBB001181311/)