Braun, Hans-Joachim (Editor)
Horning, Susan Schmidt (Editor)
Creativity, by which something new, original, and valuable is formed, has positive connotations. This volume features essays on creative processes in technological invention, engineering design, architecture, music composition, improvisation, sound recording, authenticity in music, and computer music. They deal with significant present-day as well as with historical issues of creativity. They explore what creative processes in different domains have in common, to what extent cognitive science can shed light on them and how they can be modelled. Contrary to some approaches in creativity studies, the authors, if ever possible, try to avoid speculation and come to empirically valid conclusions. (Amazon)
...MoreReview Sonja Neumann (2017) Review of "Creativity: Technology and Music". Icon: Journal of the International Committee for the History of Technology (pp. 188-192).
Article
Hans-Joachim Braun;
(2018)
Sounding Objects, Collaborative Creators, Improvising Engineers: Suggestions for Research (Essay)
(/isis/citation/CBB175874695/)
Book
Engel, Friedrich;
Kuper, Gerhard;
Bell, Frank;
Polzer, Joachim;
(2007)
Zeitschichten: Magnetbandtechnik als Kulturträger, Erfinder-Biographien und Erfindungen; Chronologie der Magnetbandtechnik und ihr Einsatz in der Hörfunk-, Musik-, Film- und Videoproduktion
(/isis/citation/CBB001181229/)
Book
Collins, Karen;
(2008)
Game sound: An introduction to the history, theory, and practice of video game music and sound design
(/isis/citation/CBB001181205/)
Article
Mauceri, Frank X.;
(1997)
From experimental music to musical experiment
(/isis/citation/CBB001181293/)
Article
Böhlandt, Marco;
(2008)
“Kontakte” -- Reflexionen naturwissenschaftlich-technischer Innovationsprozesse in der frühen Elektronischen Musik Karlheinz Stockhausens (1952--1960)
(/isis/citation/CBB000930031/)
Article
Lopes, Paul;
(1992)
Innovation and diversity in the popular music industry, 1969 to 1990
(/isis/citation/CBB001181286/)
Book
Shapiro, Peter;
Lee, Iara;
(2000)
Modulations: A history of electronic music: Throbbing words on sound
(/isis/citation/CBB001181363/)
Chapter
Alexandrine Boudreault-Fournier;
(2021)
Street Net and Electronic Music in Cuba
(/isis/citation/CBB531379186/)
Article
Maronttate, Jan;
(2005)
Digital recording and the reconfiguration of music as performance
(/isis/citation/CBB001181291/)
Article
Manning, Peter;
(2003)
The influence of recording technologies on the early development of electroacoustic music
(/isis/citation/CBB001181289/)
Book
Millard, André J.;
(2004)
The Electric Guitar: A History of An American Icon
(/isis/citation/CBB000520070/)
Book
Prieberg, Fred K.;
(1960)
Musica ex machina; über das Verhältnis von Musik und Technik
(/isis/citation/CBB001181334/)
Book
Leppert, Richard D.;
McClary, Susan;
(1987)
Music and society: The politics of composition, performance, and reception
(/isis/citation/CBB001181303/)
Book
Manning, Peter;
(2004)
Electronic and computer music
(/isis/citation/CBB001181290/)
Book
Zak, Albin, III;
(2001)
The poetics of rock: Cutting tracks, making records
(/isis/citation/CBB001181404/)
Book
Pinch, Trevor J.;
Trocco, Frank;
(2002)
Analog Days: The Invention and Impact of the Moog Synthesizer
(/isis/citation/CBB000301532/)
Article
Risset, Jean-Claude;
(2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse
(/isis/citation/CBB001181341/)
Book
Daniel Warner;
(2017)
Live Wires: A History of Electronic Music
(/isis/citation/CBB353866426/)
Article
Bull, Michael;
(2001)
The world according to sound: Investigating the world of walkman users
(/isis/citation/CBB001181196/)
Article
Sterne, Jonathan;
(2006)
The MP3 as cultural artifact
(/isis/citation/CBB001181381/)
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