Article ID: CBB800462821

Vivacious Remains: An Afterword on Taxidermy's Forms, Fictions, Facticity, and Futures (2019)

unapi

That taxidermy, in whatever form, requires a recognizable physical trace of a once-living animal calls attention to the inescapably elegiac ground of taxidermy and its ability through such traces to point to the world outside the home, the museum, the gallery walls, and even literary taxidermic fictions. The remains function multidirectionally in time and space. They point outward to the wider world—backward in time to when and where the animal was living—and forward in time to an imagined future of new human-animal relations. Taxidermy thus offers us new possibilities of encounter, through what I term a “speculative interspecies physicality” and “translational phenomenology,” both embodied ways of imagining empathically beyond the human.

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Authors & Contributors
Aloi, Giovanni
Bezan, Sarah
John Holmes
Kibbie, Ann Louise
Schollenberger, Hans Joachim
Christina Neilson
Journals
Configurations: A Journal of Literature, Science, and Technology
Publishers
Peter Lang Inc., International Academic Publishers
Schnell & Steiner
Concepts
Sculpture
Science and art
Taxidermy
Natural history
Painters and painting
Museums
People
Saraceno, Tomás
Schollenbeger, Johann Jakob
Paolucci, Luigi
Palmieri, Paolo
Time Periods
19th century
21st century
17th century
Early modern
Ancient
20th century, late
Places
Rome (Italy)
Herculaneum
Louvain (Belgium)
Galapagos Islands
England
Pompeii (Italy)
Institutions
Oxford University Museum of Natural History
Museo Archeologico Nazionale di Napoli
British Museum
Crystal Palace
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