McLeish, Tom C. B. (Author)
What human qualities are needed to make scientific discoveries, and which to make great art? Many would point to 'imagination' and 'creativity' in the second case but not the first. This book challenges the assumption that doing science is in any sense less creative than art, music or fictional writing and poetry, and treads a historical and contemporary path through common territories of the creative process. The methodological process called the 'scientific method' tells us how to test ideas when we have had them, but not how to arrive at hypotheses in the first place. Hearing the stories that scientists and artists tell about their projects reveals commonalities: the desire for a goal, the experience of frustration and failure, the incubation of the problem, moments of sudden insight, and the experience of the beautiful or sublime. Selected themes weave the practice of science and art together: visual thinking and metaphor, the transcendence of music and mathematics, the contemporary rise of the English novel and experimental science, and the role of aesthetics and desire in the creative process. Artists and scientists make salient comparisons: Defoe and Boyle; Emmerson and Humboldt, Monet and Einstein, Schumann and Hadamard. The book draws on medieval philosophy at many points as the product of the last age that spent time in inner contemplation of the mystery of how something is mentally brought out from nothing. Taking the phenomenon of the rainbow as an example, the principles of creativity within constraint point to the scientific imagination as a parallel of poetry.
...MoreArticle Bennett Zon (2020) As it says on the tin. Interdisciplinary Science Reviews (pp. 35-40).
Article James Leach (2020) Creativity in an Occidental mode. Interdisciplinary Science Reviews (pp. 41-45).
Article Michael H. Whitworth (2020) The historicity of ‘imagination’ and ‘creativity’: a response to Tom McLeish's The Poetry and Music of Science (2019). Interdisciplinary Science Reviews (pp. 8-15).
Article Steve Fuller (2020) Art and science: representation or expression?. Interdisciplinary Science Reviews (pp. 16-22).
Article Irmtraud Huber (2020) Another Poetry of Science: Tom McLeish (2019) in comparison with Robert Hunt (1848). Interdisciplinary Science Reviews (pp. 23-28).
Article Andrew Hugill (2020) Transboundaries: Moving across the art/science divide. Interdisciplinary Science Reviews (pp. 29-34).
Article
Irmtraud Huber;
(2020)
Another Poetry of Science: Tom McLeish (2019) in comparison with Robert Hunt (1848)
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Book
Milena Ivanova;
Steven French;
(2020)
The Aesthetics of Science: Beauty, Imagination and Understanding
(/isis/citation/CBB662409369/)
Article
Tom McLeish;
(2020)
Taking the discussion onward
(/isis/citation/CBB705122554/)
Chapter
Thomas, Deborah A.;
(2010)
Assyrian Monsters and Domestic Chimeras
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Book
Edwards, David;
(2008)
Artscience: Creativity in the Post-Google Generation
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Article
Olga Bychkova;
(2022)
Creativity vs Commercialization: Russian Engineers, Their Inspiration and Innovation Process
(/isis/citation/CBB225986311/)
Book
Francesco Brusori;
(2022)
La mente come specchio flessibile. Storia e preistoria dell'immaginazione produttiva tra XV e XVIII secolo
(/isis/citation/CBB551012698/)
Book
Fishburn, Evelyn;
Ortiz, Eduardo L.;
(2005)
Science and the Creative Imagination in Latin America
(/isis/citation/CBB000650361/)
Book
Wilt L. Idema;
(2019)
Insects in Chinese Literature: A Study and Anthology
(/isis/citation/CBB239995784/)
Article
Henderson, Linda Dalrymple;
(2009)
The Image and Imagination of the Fourth Dimension in Twentieth-Century Art and Culture
(/isis/citation/CBB001031506/)
Book
Nicholas Campion;
Chris Impey;
(2018)
Imagining Other Worlds: Explorations in Astronomy and Culture
(/isis/citation/CBB676873507/)
Book
Annarita Angelini;
(2017)
Matematica e immaginazione nel Rinascimento
(/isis/citation/CBB097271217/)
Thesis
Oscarson, Christopher Paul;
(2006)
Landscape and the Entangled Bird's Eye View: Turn-of-the-Twentieth CenturySwedish Culture and the Ecological Imaginary
(/isis/citation/CBB001561540/)
Chapter
Nadia Minerva;
(2003)
Lo sguardo creatore. Visione geografica e scrittura letteraria: 'En Magellanie' di Jules Verne
(/isis/citation/CBB009341041/)
Book
David Trippett;
Benjamin Walton;
(2019)
Nineteenth-Century Opera and the Scientific Imagination
(/isis/citation/CBB965706511/)
Book
Carmelina Imbroscio;
(2003)
Il testo letterario e il sapere scientifico
(/isis/citation/CBB822024738/)
Chapter
Jean-Marc Lévy-Leblond;
(2003)
Le miroir, la cornue et la pierre de touche. Ou: que peut la littérature pour la science?
(/isis/citation/CBB629158204/)
Chapter
Claudio Milanesi;
(2003)
Storie di morte apparente: dai romanzi alessandrini all' 'Encyclopédie' passando dal 'Decameron'
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Chapter
Ramakers, Bart;
(2011)
Staging Nature: Observation, Imagination and Experience in E.M. Post's Het land, in brieven (1788)
(/isis/citation/CBB001201623/)
Chapter
Pierpaolo Antonello;
(2003)
Metafora e immaginazione in campo scientifico e invenzione letteraria
(/isis/citation/CBB536508636/)
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