Article ID: CBB736386887

Shibboleths in the studio: Informal demarcation practices among audio engineers (2020)

unapi

Recording engineers have an interest in maintaining their roles as skilled professionals as compared to external competitors, which increasingly include unpaid amateurs and automated software tools. They do this through a variety of material-semiotic demarcation practices. Formal modes of demarcation, such as unionization and professional attire, have largely eroded in recent decades, making informal practices increasingly important. These informal demarcation practices, which I term ‘shibboleths’, allow engineers to locally observe and perform differences between ‘real’ engineers and non-engineers (amateur and automated) while also controlling the visibility of these performances for various audiences. I situate the shibboleth concept within the existing literature on boundary objects and boundary-work, suggesting that it is useful for analyzing situations where collaboration and consensus temporarily break down. I consider two examples: electrical audio cable wrapping techniques and hearing the artifacts of digital vocal tuning software.

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Authors & Contributors
Downey, Gary Lee
Adam Kirn
Norma Möllers
Kacey Beddoes
Jacqueline Rohde
Baranowski, Mitch
Journals
Engineering Studies
The Bridge: Journal of the National Academy of Engineering
Social Studies of Science
Science, Technology and Human Values
Publishers
MIT Press
University Press of Mississippi
University of Chicago Press
University of California Press
Springer
Routledge
Concepts
Professional qualifications; status; remuneration
Engineers
Sound studies
Sound Recording Industry
Technoscience; science and technology studies
Sound
Time Periods
21st century
20th century
20th century, late
19th century
Places
United States
Japan
India
Institutions
National Science Foundation (U.S.)
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