Book Simon Frith; Simon Zagorski-Thomas (2016) The Art of Record Production: An Introductory Reader for a New Academic Field.
Chapter
Sean Williams;
(2016)
Tubby’s Dub Style: The Live Art of Record Production
(/isis/citation/CBB358687756/)
Chapter
Paul Théberge;
(2016)
The End of the World as We Know It: The Changing Role of the Studio in the Age of the Internet
(/isis/citation/CBB210136963/)
Chapter
Jan Fairley;
Alexandrine Boudreault-Fournier;
(2016)
Recording the Revolution: 50 Years of Music Studios in Revolutionary Cuba
(/isis/citation/CBB020201172/)
Chapter
(2016)
Interlude 1: Comments and Commentaries by Industry Professionals and Producers
(/isis/citation/CBB513788686/)
Chapter
Jan Butler;
(2016)
The Beach Boys’ Pet Sounds and the Musicology of Record Production
(/isis/citation/CBB772351228/)
Chapter
(2016)
Interlude 3: Comments and Commentaries by Industry Professionals and Producers
(/isis/citation/CBB615853546/)
Book
Simon Frith;
Simon Zagorski-Thomas;
(2016)
The Art of Record Production: An Introductory Reader for a New Academic Field
(/isis/citation/CBB558340383/)
Chapter
Alan Williams;
(2016)
‘I’m Not Hearing What You’re Hearing’: The Conflict and Connection of Headphone Mixes and Multiple Audioscapes
(/isis/citation/CBB107237439/)
Chapter
Allan Moore;
(2016)
Beyond a Musicology of Production
(/isis/citation/CBB142923970/)
Chapter
Phillip McIntyre;
(2016)
Rethinking Creativity: Record Production and the Systems Model
(/isis/citation/CBB475801547/)
Chapter
Zak, Albin, III;
(2016)
No-Fi: Crafting a Language of Recorded Music in 1950s Pop
(/isis/citation/CBB848504039/)
Chapter
Simon Frith;
(2016)
The Place of the Producer in the Discourse of Rock
(/isis/citation/CBB260389967/)
Chapter
(2016)
Interlude 2: Comments and Commentaries by Industry Professionals and Producers
(/isis/citation/CBB088871049/)
Chapter
Simon Frith;
Simon Zagorski-Thomas;
(2016)
Introduction
(/isis/citation/CBB542549707/)
Chapter
Michael Jarrett;
(2016)
The Self-Effacing Producer: Absence Summons Presence
(/isis/citation/CBB712436826/)
Chapter
Andrew Blake;
(2016)
Simulating the Ideal Performance: Suvi Raj Grubb and Classical Music Production
(/isis/citation/CBB162963806/)
Chapter
Simon Zagorski-Thomas;
(2016)
The US vs the UK Sound: Meaning in Music Production in the 1970s
(/isis/citation/CBB630134209/)
Chapter
William Moylan;
(2016)
Considering Space in Recorded Music
(/isis/citation/CBB929905273/)
Book
Sterne, Jonathan;
(2012)
MP3: The Meaning of a Format
(/isis/citation/CBB001320969/)
Chapter
George Brock-Nannestad;
(2016)
The Lacquer Disc for Immediate Playback: Professional Recording and Home Recording from the 1920s to the 1950s
(/isis/citation/CBB419674176/)
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