Article ID: CBB711801492

A few remarks on the relationship between materials, technology and colour experience in ancient Greece (2023)

unapi

This paper begins with the observation that in ancient Greek literary and philosophical tradition as well as in painterly practice colour is perceived as pertaining to the nature of the object itself and almost being one with it. It then considers the relationship between Greek painterly practice and philosophical accounts of colour(s), arguing that the philosophers show a substantial lack of interest in the painters’ practices. Dyeing technology also seems to be of little interest to colour theorists, who seem more focused on the visual effect of colours than on the behaviour of pigments and dyes. However, as I ultimately suggest with an anthropological turn of the discourse, referring to dyeing practices may be helpful to understand the intriguing predominance of the white/black/red triad both in the scientific explanations and in the Greek chromatic vocabulary.

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Authors & Contributors
Vinzenz Brinkmann
Ulrike Koch-Brinkmann
Martelli, Matteo
Fuchs, Robert
David E. Friesem
Gil Gambash
Journals
Technai, An International Journal for Ancient Science and Technology
Ferrum
Medicina nei Secoli - Arte e Scienza
IEEE Annals of the History of Computing
Antiquity
Actes d’Història de la Ciència i de la Tècnica
Publishers
WBOOKS
Oxbow Books
Gallimard
Concepts
Color
Technology
Dyes
Painters and painting
Science and art
Pigments
People
Galen
Dioscorides, Pedanios
Pliny the Elder
Kallab, Ferdinand Victor
Time Periods
Ancient
Neolithic period
Early modern
Medieval
Bronze age
21st century
Places
Egypt
Brittany (France)
Netherlands
Spain
Greece
Europe
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