“The first meaning of true and false”, writes Spinoza in a neglected passage of the Metaphysical Thoughts, “seems to have had its origin in stories”. Ideas are true when they “show” us things as they are; they are false when they do not, when they are fictional. In this essay, I argue that what appears at first sight to be a simple assertion of a correspondence theory of truth in fact opens onto broad historical transformations in the nature of meaning that reshaped the very atmosphere of truth: the emergence of a new kind of fictionality, transformations in the sense of logical interpretation, and ultimately transformations in the structures and sources of the natural light, that “clarity” which constitutes for Spinoza, as for Descartes, an indispensable criterion for certainty.
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Veritas: The Correspondence Theory and Its Critics
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The Metaphysics Experiment: Modern Physics and the Politics of Nature
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Spinoza's Metaphysics and its Place in Early Modern Philosophy
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(2007)
Spinoza and the Metaphysics of Mechanism
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Clarke against Spinoza on the Manifest Diversity of the World
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(2018)
Avicenna and the Aristotelian Left
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di Poppa, Francesca;
(2006)
“God Acts from the Laws of His Nature Alone”: From the nihil ex nihilo Axiom to Causation as Expression in Spinoza's Metaphysics
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Spinoza and Architectural Thinking
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Wiep van Bunge;
(2018)
Hudde en Spinoza: waarom er maar één God is
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(2009)
A Century of Judgment and Inference, 1837--1936: Some Strands in the Development of Logic
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Dustin Hellberg;
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John D. Schwetman;
(2021)
Chapter 3. A Genealogy of Apocalyptic Trains: Snowpiercer and Its Precursors in the Transnational Literature of Transport
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Elizabeth Gilbert;
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