Article ID: CBB650218822

Introduction: From “The Popularization of Science through Film” to “The Public Understanding of Science” (2018)

unapi

Science in film, and usual equivalents such as science on film or science on screen, refer to the cinematographic representation, staging, and enactment of actors, information, and processes involved in any aspect or dimension of science and its history. Of course, boundaries are blurry, and films shot as research tools or documentation also display science on screen. Nonetheless, they generally count as scientific film, and science in and on film or screen tend to designate productions whose purpose is entertainment and education. Moreover, these two purposes are often combined, and inherently concern empirical, methodological, and conceptual challenges associated with popularization, science communication, and the public understanding of science. It is in these areas that the notion of the deficit model emerged to designate a point of view and a mode of understanding, as well as a set of practical and theoretical problems about the relationship between science and the public.

...More
Includes Series Articles

Article Fernando Vidal (2018) Accuracy, Authenticity, Fidelity: Aesthetic Realism, the “Deficit Model,” and the Public Understanding of Science. Science in Context (pp. 129-153). unapi

Article Kirsten Ostherr (2018) The Shifting Aesthetics of Expertise in the Sharing Economy of Scientific Medicine. Science in Context (pp. 107-127). unapi

Article David A. Kirby (2018) Harnessing the Persuasive Power of Narrative: Science, Storytelling, and Movie Censorship, 1930–1968. Science in Context (pp. 85-106). unapi

Article Carlos Tabernero (2018) The Changing Nature of Modernization Discourses in Documentary Films. Science in Context (pp. 61-83). unapi

Article Felicity Mellor (2018) Configuring Epistemic Authority: The Significance of Film Style in Documentaries about Science. Science in Context (pp. 39-59). unapi

Article Eleanor Louson (2018) Taking Spectacle Seriously: Wildlife Film and the Legacy of Natural History Display. Science in Context (pp. 15-38). unapi

Citation URI
https://data.isiscb.org/isis/citation/CBB650218822/

Similar Citations

Article Gaycken, Oliver; (2013)
“The Living Picture”: On the Circulation of Microscope-Slide Knowledge in 1903 (/isis/citation/CBB001420750/)

Article Jesse Olszynko-Gryn; (2016)
Film Lessons: Early Cinema for Historians of Science* (/isis/citation/CBB096785803/)

Article Eleanor Louson; (2018)
Taking Spectacle Seriously: Wildlife Film and the Legacy of Natural History Display (/isis/citation/CBB664287904/)

Thesis Hannah McKim Lloy Goodwin; (2017)
Archives of Light: Cinematic and Cosmological Time (/isis/citation/CBB760773172/)

Book Rockett, Kevin; Rockett, Emer; (2011)
Magic Lantern, Panorama and Moving Picture Shows in Ireland, 1786--1909 (/isis/citation/CBB001201878/)

Article Moore, P. G.; (2015)
Peeping at Nature with the Reverend Charles A. Hall FRMS (1872--1965) (/isis/citation/CBB001500434/)

Article Anja Sattelmacher; Mario Schulze; Sarine Waltenspül; (2021)
Introduction: Reusing Research Film and the Institute for Scientific Film (/isis/citation/CBB618455905/)

Book Fernando Vidal; (2022)
Performing Brains on Screen (/isis/citation/CBB532029818/)

Article Anja Sattelmacher; (2021)
Shuffled Zeppelin Clips: The Flight and Crash of LZ 129 Hindenburg in the Archives (/isis/citation/CBB891967944/)

Article Gouyon, Jean-Baptiste; (2011)
From Kearton to Attenborough: Fashioning the Telenaturalist's Identity (/isis/citation/CBB001023538/)

Book Kirby, David A.; (2011)
Lab Coats in Hollywood: Science, Scientists, and Cinema (/isis/citation/CBB001230821/)

Book Gregory Zinman; (2020)
Making Images Move: Handmade Cinema and the Other Arts (/isis/citation/CBB002074477/)

Chapter Brandt, Christina; Casser, Anja; (2007)
Populärkultur und Wissenschaft: Science-Fiction und populäres Bild als Medien der Wissenschaftskommunikation (/isis/citation/CBB001023696/)

Book Terence McSweeney; Stuart Joy; (2022)
Contemporary American Science Fiction Film (/isis/citation/CBB609301833/)

Authors & Contributors
Schulze, Mario
Vidal, Fernando
Sattelmacher, Anja
Casser, Anja
Amy Lynn Coale
Stuart Joy
Journals
Isis: International Review Devoted to the History of Science and Its Cultural Influences
Science in Context
British Journal for the History of Science
Public Understanding of Science
History of Science
History and Philosophy of the Life Sciences
Publishers
University of California, Santa Barbara
University of California Press
Routledge
MIT Press
Four Courts Press
Florida State University
Concepts
Science and film
Motion pictures; cinema; movies
Science and culture
Film and media studies
Popularization
Public understanding of science
People
Attenborough, David Frederick
Urban, Charles
Kearton, Cherry
Duncan, F. Martin
Time Periods
20th century
20th century, early
21st century
19th century
18th century
Places
United States
Germany
Netherlands
Florida (U.S.)
Ireland
Institutions
Marine Studios
Comments

Be the first to comment!

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}

Log in or register to comment