Article ID: CBB646192232

Speculative Taxidermy: Inscribing Vulnerability (2019)

unapi

“Speculative Taxidermy” is concerned with a range of contemporary works of art in which visible animal skin is critically employed as a defining indexical interface between animal, human, and the medium of representation itself. Approached in specific ways, preserved animal skin can unlock new ethical and political opportunities in human/animal relationships and convey the urgency of addressing climate change, capitalist exploitation, and mass extinction. Defined by a deeper investment in materiality, “Speculative Taxidermy” capitalizes on shared physical and ontological vulnerabilities concealed by the naturalization of past human/animal institutionalized relationships that still haunt contemporary practices. In this essay, these themes are explored in relation to the anthropomorphically modeled cowhides of Nandipha Mantambo and in the manipulated horse bodies of Berlinde de Bruyckere.

...More
Citation URI
https://data.isiscb.org/isis/citation/CBB646192232/

Similar Citations

Article Ann Louise Kibbie; (2017)
Realism and Decay in Wax (/isis/citation/CBB578305257/)

Article Gregory, Helen; Purdy, Anthony; (2015)
Present Signs, Dead Things: Indexical Authenticity and Taxidermy's Nonabsent Anima (/isis/citation/CBB001550676/)

Article Susan McHugh; (2019)
Mourning Humans and Other Animals through Fictional Taxidermy Collections (/isis/citation/CBB459434748/)

Article Jane Desmond; (2019)
Vivacious Remains: An Afterword on Taxidermy's Forms, Fictions, Facticity, and Futures (/isis/citation/CBB800462821/)

Article Jussi Parikka; (2020)
A Recursive Web of Models: Studio Tomás Saraceno's Working Objects (/isis/citation/CBB170770213/)

Book Davidson, Jane P.; (2008)
A History of Paleontology Illustration (/isis/citation/CBB000850359/)

Chapter Kort, Pamela; (2009)
Making Things Real: Odilon Redon and Jean Carriès (/isis/citation/CBB001031456/)

Chapter Rikken, Marrigje; Smith, Paul J.; (2011)
Jan Brueghel's Allegory of Air (1621) from a Natural Historical Perspective (/isis/citation/CBB001201615/)

Book Donald, Diana; (2007)
Picturing Animals in Britain: c. 1750--1850 (/isis/citation/CBB000772792/)

Book Morris, Pat; (2010)
A History of Taxidermy: Art, Science, and Bad Taste (/isis/citation/CBB001230611/)

Article Anna Motta; (2018)
The Philosophy of Artistic Creation: Phidias, the Ideas, and Cicero (/isis/citation/CBB664182005/)

Chapter Thomas, Deborah A.; (2010)
Assyrian Monsters and Domestic Chimeras (/isis/citation/CBB001201873/)

Article Marco Masseti; (2022)
Gazelles (Gazella spp.) depicted in frescoes and sculpture from Herculaneum and Pompeii (/isis/citation/CBB432740443/)

Article Challis, Debbie; (2012)
Fashioning Archaeology into Art: Greek Sculpture, Dress Reform and Health in the 1880s (/isis/citation/CBB001213317/)

Article Tognoni, Federico; (2007)
“È fatto più giorni sono, similissimo, da mano eccellente”: il ritratto-icona di Galileo (/isis/citation/CBB000931278/)

Authors & Contributors
Bezan, Sarah
John Holmes
Kibbie, Ann Louise
Schollenberger, Hans Joachim
Anna Motta
Hughes, Zoe
Journals
Configurations: A Journal of Literature, Science, and Technology
Journal of Literature and Science
Galilæana: Journal of Galilean Studies
Archives of Natural History
Apeiron: Journal for Ancient Philosophy and Science
Publishers
Yale University Press
Schnell & Steiner
MPM Publishing
Indiana University Press
Bodleian Library
Concepts
Sculpture
Science and art
Taxidermy
Painters and painting
Animals in art
Visual representation; visual communication
People
Saraceno, Tomás
Schollenbeger, Johann Jakob
Redon, Odilon
Galilei, Galileo
Cicero, Marcus Tullius
Carries, Jean
Time Periods
19th century
17th century
Ancient
21st century
20th century, late
20th century
Places
Great Britain
Herculaneum
Galapagos Islands
England
Pompeii (Italy)
Greece
Institutions
Oxford University Museum of Natural History
Museo Archeologico Nazionale di Napoli
Comments

Be the first to comment!

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}

Log in or register to comment