Moving from the realm of the atomic to the realm of the literary, Anna Jones’s piece examines Edward Bulwer-Lytton’s work at the intersection of postmodern theory, Baconian induction, and the occult. In doing so, her chapter challenges the still prevalent tendency in literary studies to discount the value of Bulwer-Lytton’s work and his connection to marginal science, despite the fact that both Bulwer-Lytton and these popular sciences had a mass appeal for Victorian audiences. Beyond returning Bulwer-Lytton to his proper intellectual context, Jones even more provocatively shows that his “suggestive system” of intellectual transmission anticipates poststructural literary theory, which similarly takes its point of departure from the decoupling of author and text to determine meaning. (From Introduction, pages 11-12)
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