Terence McSweeney (Author)
Stuart Joy (Author)
Contemporary American Science Fiction Film explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium, offering a ground-breaking investigation of the impactful role of genre cinema in the modern era. Placing one of the most popular and culturally resonant American film genres broadly within its rich social, historical, industrial, and political context, the book interrogates some of the defining critical debates of the era via an in-depth analysis of a range of important films. An international team of authors draw on case studies from across the science fiction genre to examine what these films can tell us about the time period, how the films themselves connect to the social and political context, how the fears and anxieties they portray resonate beyond the screen, and how the genre responds to the shifting coordinates of the Hollywood film industry. Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, cultural and media studies, as well as anyone interested in science fiction and speculative film.
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Chapter
Brandt, Christina;
Casser, Anja;
(2007)
Populärkultur und Wissenschaft: Science-Fiction und populäres Bild als Medien der Wissenschaftskommunikation
(/isis/citation/CBB001023696/)
Chapter
Endo, Yukihide;
(2011)
Women and Science in Japanese Anime: A Challenge to the Traditional Construction of Female Identity
(/isis/citation/CBB001221558/)
Article
Hudson, Dale;
(2013)
“Of Course There Are Werewolves and Vampires”: True Blood and the Right to Rights for Other Species
(/isis/citation/CBB001201821/)
Article
Wiesenfeldt, Gerhard;
(2010)
Dystopian Genesis: The Scientist's Role in Society, According to Jack Arnold
(/isis/citation/CBB001032385/)
Book
Hitchcock, Susan Tyler;
(2007)
Frankenstein: A Cultural History
(/isis/citation/CBB000774270/)
Article
Hub Zwart;
(2015)
The Third Man: Comparative Analysis of a Science Autobiography and a Cinema Classic as Windows into Post-War Life Sciences Research.
(/isis/citation/CBB059880555/)
Chapter
Koepnick, Lutz;
(2008)
Unvergesslich? Science-Fiction und die Zukunft der Erinnerung
(/isis/citation/CBB001024362/)
Chapter
Clarke, Bruce;
(2008)
Der selbstreferenzielle Wissenschaftler---Erzählung, Medien und Metamorphose in David Cronenbergs Die Fliege
(/isis/citation/CBB001024363/)
Article
Francisco Pérez-Fernández;
Francisco López-Muñoz;
(2019)
The Kirkbride buildings in contemporary culture (1850–2015): from ‘moral management’ to horror films
(/isis/citation/CBB808007727/)
Book
Marco Castellari;
(2014)
Formula e metafora: figure di scienziati nelle letterature e culture contemporanee
(/isis/citation/CBB976488878/)
Article
Clayton, Jay;
(2013)
The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman
(/isis/citation/CBB001200682/)
Book
Weart, Spencer R.;
(2012)
The Rise of Nuclear Fear
(/isis/citation/CBB001210036/)
Article
Fernando Vidal;
(2018)
Introduction: From “The Popularization of Science through Film” to “The Public Understanding of Science”
(/isis/citation/CBB650218822/)
Article
Felicity Mellor;
(2018)
Configuring Epistemic Authority: The Significance of Film Style in Documentaries about Science
(/isis/citation/CBB235624136/)
Article
Gouyon, Jean-Baptiste;
(2011)
From Kearton to Attenborough: Fashioning the Telenaturalist's Identity
(/isis/citation/CBB001023538/)
Article
Wangui Muigai;
(2019)
"Something Wasn't Clean": Black Midwifery, Birth, and Postwar Medical Education in All My Babies
(/isis/citation/CBB729992204/)
Book
Kirby, David A.;
(2011)
Lab Coats in Hollywood: Science, Scientists, and Cinema
(/isis/citation/CBB001230821/)
Article
Eleanor Louson;
(2018)
Taking Spectacle Seriously: Wildlife Film and the Legacy of Natural History Display
(/isis/citation/CBB664287904/)
Thesis
Conley, Gregory Dean;
(2013)
Alien Evolutions: Darwinian Influence on the History and Transformation of the Anglo-American Science Fiction Alien, 1885--1936
(/isis/citation/CBB001567514/)
Article
Genter, Robert;
(2010)
“We All Go a Little Mad Sometimes”: Alfred Hitchcock, American Psychoanalysis, and the Construction of the Cold War Psychopath
(/isis/citation/CBB001032453/)
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